{"id":5416,"date":"2009-12-24T09:30:18","date_gmt":"2009-12-24T08:30:18","guid":{"rendered":"http:\/\/www.po-l.com\/belogue\/?p=5416"},"modified":"2012-08-26T10:06:42","modified_gmt":"2012-08-26T08:06:42","slug":"those-were-the-00s-12","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2009\/12\/24\/those-were-the-00s-12\/","title":{"rendered":"Those were the 00s [1\/2]."},"content":{"rendered":"
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<\/p>\n<\/div>\n

C’est qu’il serait peut-être temps de clore les années 2000, dis-moi.<\/p>\n

Après mûres réflexion, je suis tombé bien d’accord avec moi-même pour dire que faire un classement des meilleurs titres de la décennie, c’est impossible de manière générale. Un top des années nonante aurait eu du mal à départager un No Surprises <\/em>et un Smells Like Teen Spirit<\/em>, par exemple ― enfin plus difficilement qu’un Barbie Girl<\/em> et un Rhythm Is a Dancer<\/em>, quoi ―, parce que les deux ne jouaient pas dans la même catégorie, au final. Du coup je me suis pris par la main et j’ai tout bien rangé en cinq catégories globales et totalement arbitraires pour refléter un peu plus facilement ces belles<\/strike> années 00 qu’on enterre la semaine prochaine. N’hésitez pas à partager les vôtres, histoire de vous occuper ce soir entre le foie gras et le saumon. <\/p>\n

Top 5 « postillonnage de cures-dents ».<\/h2>\n
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    \n
  1. \n

    My Vitriol<\/strong> ― Always: Your Way<\/em> (2001)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

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      \n
    1. \n

      Black Rebel Motorcycle Club<\/strong> ― Heart + Soul<\/em> (2003)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

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        \n
      1. \n

        The Raconteurs<\/strong> ― Headin’ for the Texas Border<\/em> (live) (The Flamin’ Groovies cover) (2006)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

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          \n
        1. \n

          Secret Machines<\/strong> ― Nowhere Again<\/em> (2004)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

          \n
            \n
          1. \n

            Flogging Molly<\/strong> ― Black Friday Rule<\/em> (2000)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

            Top 5 « décapotable et coups de soleil ».<\/h2>\n
            \n
              \n
            1. \n

              Arcade Fire<\/strong> ― Keep the Car Running<\/em> (2007)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

              \n
                \n
              1. \n

                Eddie Vedder <\/strong> ― Hard Sun<\/em> (Indio cover) (2007)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

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                  \n
                1. \n

                  The Dandy Warhols <\/strong>― Bohemian Like You <\/em>(2000)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                  \n
                    \n
                  1. \n

                    Blanche<\/strong> ― Someday… <\/em>(2003)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

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                    1. \n

                      Richard Ashcroft<\/strong> ― C’mon People (We’re Making It Now)<\/em> (2000)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                      Top 5 « nuit, valium et corde à s’ôter ».<\/h2>\n
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                        \n
                      1. \n

                        Interpol<\/strong> ― Leif Erikson<\/em> (2002)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

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                          \n
                        1. \n

                          Black Rebel Motorcycle Club <\/strong>― Open Invitation <\/em>(2005)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                          \n
                            \n
                          1. \n

                            Arcade Fire<\/strong> ― My Body Is a Cage <\/em> (2007)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                            \n
                              \n
                            1. \n

                              Isobel Campbell & Mark Lanegan<\/strong> ― Revolver <\/em>(2005)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

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                                \n
                              1. \n

                                José González <\/strong> ― Love Will Tear Us Apart <\/em>(Joy Division cover) (2004)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                Top 5 « Hiver, neige, pingouins et café au lait ».<\/h2>\n
                                \n
                                  \n
                                1. \n

                                  Air<\/strong> ― Alone in Kyoto<\/em> (2004)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

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                                    \n
                                  1. \n

                                    The Postal Service <\/strong>― Such Great Heights <\/em>(2003)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                    \n
                                      \n
                                    1. \n

                                      The Libertines<\/strong> ― Music When the Lights Go Out <\/em>(2004)<\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                      \n
                                        \n
                                      1. \n

                                        K’s Choice <\/strong> ― Busy<\/em> (2000)\n <\/p>\n

                                          <\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                        \n
                                          \n
                                        1. \n

                                          Placebo<\/strong> ― Special Needs <\/em>(2003)\n <\/p>\n

                                            <\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                          Top 5 « Anglais à fesses plates1<\/sup> ». <\/h2>\n
                                          \n
                                            \n
                                          1. \n

                                            Franz Ferdinand<\/strong> ― Take Me Out<\/em> (2004)\n <\/p>\n

                                              <\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                            \n
                                              \n
                                            1. \n

                                              Arctic Monkeys<\/strong> ― I Bet You Look Good on the Dancefloor<\/em> (2006)\n <\/p>\n

                                                <\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                              \n
                                                \n
                                              1. \n

                                                The Wombats<\/strong> ― Let’s Dance to Joy Division<\/em> (2007)\n <\/p>\n

                                                  <\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                                \n
                                                  \n
                                                1. \n

                                                  Maxïmo Park<\/strong> ― Apply Some Pressure<\/em> (2005)\n <\/p>\n

                                                    <\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                                  \n
                                                    \n
                                                  1. \n

                                                    Bloc Party<\/strong> ― Banquet<\/em> (2004)\n <\/p>\n

                                                      <\/p>\n<\/li>\n<\/ol>\n<\/div>\n

                                                    Voilà. Je valide, je poste, je relis dans 24 heures et je réalise que je n’ai mis aucun White Stripes, que j’ai oublié de faire les tops 5 « pendant qu’on fait des frites » et « à s’écouter après une vasectomie », avant de jurer bien fort, mais un peu tard, qu’on ne m’y reprendra plus en 2019.<\/p>\n

                                                    _____<\/p>\n

                                                    \n

                                                    1<\/sup> C’est un hommage à qui de droit, vous ne pouvez pas comprendre.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

                                                    C’est qu’il serait peut-être temps de clore les années 2000, dis-moi. Après mûres réflexion, je suis tombé bien d’accord avec moi-même pour dire que faire un classement des meilleurs titres de la décennie, c’est impossible de manière générale. Un top des années nonante aurait eu du mal à départager un No Surprises et un Smells…<\/p>\n","protected":false},"author":1,"featured_media":25631,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[276,277,569,1501,10263,10367,851,1044,10118,77,10220,2095,3324,3323,167,10330,10112,10100,2328,2798,1290,1467,3322,10111,10362,10448,2082,559,1942,1184,2081,10363,1500,5560,1925,568,588,10086,1460,10185,587,270,1476,2141,674,10179,3172,165,2140,1493],"class_list":["post-5416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dpc","tag-air","tag-alone-in-kyoto","tag-always-your-way","tag-apply-some-pressure","tag-arcade-fire","tag-arctic-monkeys","tag-banquet","tag-black-friday-rule","tag-black-rebel-motorcycle-club","tag-blanche","tag-bloc-party","tag-bohemian-like-you","tag-busy","tag-cmon-people-were-making-it","tag-classements-de-fin-dannee","tag-eddie-vedder","tag-flogging-molly","tag-franz-ferdinand","tag-hard-sun","tag-headin-for-the-texas-border","tag-heart-soul","tag-i-bet-that-you-look-good-on-the-dancefloor","tag-indio","tag-interpol","tag-isobel-campbell","tag-jose-gonzalez","tag-joy-division","tag-ks-choice","tag-keep-the-car-running","tag-leif-erikson","tag-love-will-tear-us-apart","tag-mark-lanegan","tag-maximo-park","tag-music-when-the-lights-go-out","tag-my-body-is-a-cage","tag-my-vitriol","tag-nowhere-again","tag-placebo","tag-revolver","tag-richard-ashcroft","tag-secret-machines","tag-someday","tag-special-needs","tag-such-great-heights","tag-take-me-out","tag-the-dandy-warhols","tag-the-flamin-groovies","tag-the-libertines","tag-the-postal-service","tag-the-raconteurs"],"acf":[],"geo":null,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/my_vitriol-finelines1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-1pm","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/5416","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/comments?post=5416"}],"version-history":[{"count":5,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/5416\/revisions"}],"predecessor-version":[{"id":18775,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/5416\/revisions\/18775"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media\/25631"}],"wp:attachment":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media?parent=5416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/categories?post=5416"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/tags?post=5416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}