{"id":467,"date":"2005-02-12T01:10:02","date_gmt":"2005-02-12T01:10:02","guid":{"rendered":"http:\/\/www.po-l.com\/wordpress\/?p=467"},"modified":"2011-10-28T16:40:18","modified_gmt":"2011-10-28T14:40:18","slug":"ancienne-usine-packard-5-fevrier","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2005\/02\/12\/ancienne-usine-packard-5-fevrier\/","title":{"rendered":"Ancienne usine Packard, 5 février."},"content":{"rendered":"\n

Packard a cessé de produire des bagnoles en 1957 et depuis… rien. L’usine reste comme la plus grosse ruine industrielle de la ville.<\/p>\n

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 Depeche Mode<\/a> – Never Let Me Down Again<\/em> (Split mix) <\/p>\n<\/div>\n

Un remix qu’il est bien, ce remix. Parce qu’il alloooooooooonge à souhait le morceau, porté par le gros tchac-poum de batterie qui le caractérise [note pour plus tard : apprendre à décrire les rythmes de batterie mieux que ça].<\/p>\n

Et là j’en vois au fond qui lèvent le doigt pour me dire "Hey connard, si tu l’aimes tellement cette batterie, il te suffit de te procurer l’Aggro Mix qui est disponible sur certaines version de Music For The Masses<\/em>, t’as attendu 17 ans pour rien."<\/p>\n

[Putain, Music For The Masses <\/em>a 17 ans, mange ton coup de vieux.]<\/p>\n

Alors déjà, messieurs-dames les gens du fond, sachez que je l’ai, le remix en question.<\/p>\n

[Ça calme, hein ?]<\/p>\n

Sachez ensuite que si le Split Mix est mieux que l’Aggro, c’est parce qu’il a conservé le morceau dans sa version originale, en se permettant juste d’y ajouter ces quelques minutes de rab. ‘a rappelé une note du mois dernier chez Svenska<\/a>, qui traitait de la frustration qu’on ressent parfois quand la fin d’un titre arrive trop vite. La note finissait sur un appel au peuple en demandant à tous de parler des morceaux qu’on trouve trop courts.<\/p>\n

De but en blanc, là, je dirai U2 – With Or Without You<\/em>, auquel j’ajouterais bien deux minutes de l’accord final, et Flogging Molly, Within A Mile Of Home<\/em>, dont la partie de violon déchaîné à la fin est beaucoup, beaucoup trop courte.<\/p>\n

Ah, et C’mon C’mon <\/em>des Von Bondies aussi, pour qui le cas est plus grave puisque là, ça finit carrément en eau de boudin. À tel point que le jour ou je l’ai téléchargée, j’ai cru qu’il en manquait un bout [d’un] [ah ah]*.<\/p>\n

_____<\/p>\n

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* Je signalerai à tous ceux qui sont en train de se ruer vers leur téléphone pour appeler la police que depuis, j’ai acheté l’album**. Et toc.<\/p>\n

** À Jason Stollsteimer en personne***. Et oui.<\/p>\n

*** Ceci est un immonde mensonge monté de toutes pièces dans le simple but de me faire haïr de tous les fans de Jack White, parce que la polémique, j’aime ça. Et paf.<\/p>\n<\/div>\n

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 Depeche Mode<\/a> – Never Let Me Down Again<\/em> (Split mix) (pour les distraits) <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Packard a cessé de produire des bagnoles en 1957 et depuis… rien. L’usine reste comme la plus grosse ruine industrielle de la ville.  Depeche Mode – Never Let Me Down Again (Split mix) Un remix qu’il est bien, ce remix. Parce qu’il alloooooooooonge à souhait le morceau, porté par le gros tchac-poum de batterie qui…<\/p>\n","protected":false},"author":1,"featured_media":24406,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[132,10246,10126,10099,10311,55,3558,10095,54,827,10211,826,824,10202,10407,306,825],"class_list":["post-467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dpc","tag-eos-20d","tag-contre-jour","tag-depeche-mode","tag-detroit","tag-dos","tag-etats-unis","tag-fauteuil","tag-jack-white","tag-michigan","tag-music-for-the-masses","tag-neige","tag-never-let-me-down-again","tag-packard-motor-car-company","tag-ruines","tag-silhouette","tag-the-von-bondies","tag-usine"],"acf":[],"geo":{"latitude":42.3753815,"longitude":-83.0260391,"description":null},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/20050212-011.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-7x","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":381,"url":"https:\/\/www.wallendorff.com\/belogue\/2005\/05\/10\/bees-vitrees\/","url_meta":{"origin":467,"position":0},"title":"B\u00e9es vitr\u00e9es.","author":"dpc","date":"10 mai 2005","format":false,"excerpt":"Ancienne usine Packard, D\u00e9troit, 5 f\u00e9vrier. [Viendra un jour pas si lointain o\u00f9 j'aurai totalement vid\u00e9 mon stock.] [Je crois que ce jour-l\u00e0, \u00e7a sera fini pour de bon.] [Je crois que ce jour-l\u00e0, \u00e7a me manquera encore plus que maintenant.] [Encore plus.] \u00a0Air \u2013 Alone in Kyoto","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200505101.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":298,"url":"https:\/\/www.wallendorff.com\/belogue\/2005\/08\/05\/le-rock-entache\/","url_meta":{"origin":467,"position":1},"title":"Le rock entache.","author":"dpc","date":"5 ao\u00fbt 2005","format":false,"excerpt":"Clifford St., D\u00e9troit, 6 f\u00e9vrier. C'est vrai que c'est pas mal non plus, les photos de fin fond de tiroir, le rock n'roll, les presque usines Packard et les presque Stripes en fond. \u00a0The Paybacks \u2013 Tie Me in a Knot","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200508051.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":27271,"url":"https:\/\/www.wallendorff.com\/belogue\/2015\/04\/30\/avril-2015\/","url_meta":{"origin":467,"position":2},"title":"Avril 2015.","author":"dpc","date":"30 avril 2015","format":false,"excerpt":"Une autoroute vers le nord, un voyage en ferry, une bi\u00e8re en ville, un d\u00e9m\u00e9nagement, une petite sir\u00e8ne, un voyage en ferry, une autoroute vers le sud, une pizza chaude, une vodka froide, une jet\u00e9e, une plage, une tombe, un lever t\u00f4t, une plage, un cr\u00e9puscule rose, un Mont, un\u2026","rel":"","context":"Dans "Blog-note"","block_context":{"text":"Blog-note","link":"https:\/\/www.wallendorff.com\/belogue\/category\/blog-note\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/05\/20150508-06.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/05\/20150508-06.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/05\/20150508-06.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/05\/20150508-06.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":131413,"url":"https:\/\/www.wallendorff.com\/belogue\/2024\/12\/26\/venezia-dautunno-i\/","url_meta":{"origin":467,"position":3},"title":"Venezia d’autunno [I].","author":"dpc","date":"26 d\u00e9cembre 2024","format":false,"excerpt":"","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/12\/20241226-01.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/12\/20241226-01.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/12\/20241226-01.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/12\/20241226-01.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/12\/20241226-01.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":342,"url":"https:\/\/www.wallendorff.com\/belogue\/2005\/06\/16\/cuilleri-assoupi\/","url_meta":{"origin":467,"position":4},"title":"Cuilleri assoupi¹.","author":"dpc","date":"16 juin 2005","format":false,"excerpt":"Station de RER Nation, Paris, 7 juin. Et en fait, l\u00e0, tu vois, tu enl\u00e8ves les ovaux2, la chemise bleue, tu ajoutes des cheveux, tu mets un bureau devant, des coll\u00e8gues piailleurs autour, pas de caf\u00e9 dedans3 et l\u00e0, oui, l\u00e0, tu obtiens moi. [et le pull sans manche. 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