{"id":40604,"date":"2018-12-01T13:21:28","date_gmt":"2018-12-01T11:21:28","guid":{"rendered":"http:\/\/www.wallendorff.com\/belogue\/?p=40604"},"modified":"2018-12-04T13:29:26","modified_gmt":"2018-12-04T11:29:26","slug":"2018-en-0","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2018\/12\/01\/2018-en-0\/","title":{"rendered":"2018 en… #0."},"content":{"rendered":"
\n

<\/p>\n<\/div>\n

2018 en 100 nouveaux titres les plus écoutés…<\/sup><\/sup><\/h1>\n

… à la radio, dans le métro, dans des bistrots, au boulot et chez des gros et entrés en liste personnelle le 1er<\/sup> décembre 2017 et le 30 novembre 2018 (sinon on y verrait Moha la Squale, Tekashi six-ixe-neuf-ine et le dernier Arctic Monkeys).<\/p>\n

Le vrai classement, bien ficelé et plein de mauvaise foi et d’oublis, viendra en fin de mois.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/td>\nCheetah Tongue<\/em><\/td>\nThe Wombats<\/td>\nBeautiful People Will Ruin Your Life<\/em><\/td>\n30<\/td>\n<\/tr>\n
2<\/td>\nTurn<\/em><\/td>\nThe Wombats<\/td>\nBeautiful People Will Ruin Your Life<\/em><\/td>\n27<\/td>\n<\/tr>\n
3<\/td>\nLazy Boy<\/em><\/td>\nFranz Ferdinand<\/td>\nAlways Ascending<\/em><\/td>\n24<\/td>\n<\/tr>\n
 <\/td>\nStanding<\/em><\/td>\nSpeedrax<\/td>\nEscape<\/em><\/td>\n24<\/td>\n<\/tr>\n
5<\/td>\nQuestion of Faith<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n23<\/td>\n<\/tr>\n
6<\/td>\nThe Last Waltz<\/em><\/td>\nTy Segall<\/td>\nFreedom’s Goblin<\/em><\/td>\n22<\/td>\n<\/tr>\n
7<\/td>\nCalling Them All Away<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n21<\/td>\n<\/tr>\n
 <\/td>\nThe Rover<\/em><\/td>\nInterpol<\/td>\nMarauder<\/em><\/td>\n21<\/td>\n<\/tr>\n
9<\/td>\nFanny Dog<\/em><\/td>\nTy Segall<\/td>\nFreedom’s Goblin<\/em><\/td>\n19<\/td>\n<\/tr>\n
10<\/td>\nEvery 1’s a Winner<\/em><\/td>\nTy Segall<\/td>\nFreedom’s Goblin<\/em><\/td>\n18<\/td>\n<\/tr>\n
 <\/td>\nTalkin’ 3<\/em><\/td>\nTy Segall<\/td>\nFreedom’s Goblin<\/em><\/td>\n18<\/td>\n<\/tr>\n
11<\/td>\nHallelujah (so Low)<\/em><\/td>\nEditors<\/td>\nViolence<\/em><\/td>\n17<\/td>\n<\/tr>\n
 <\/td>\nThe Answer’s No – Now What’s the Question?<\/em><\/td>\nThe Go! Team<\/td>\nSemicircle<\/em><\/td>\n17<\/td>\n<\/tr>\n
 <\/td>\nSleep<\/em><\/td>\nThe Men<\/td>\nDrift<\/em><\/td>\n17<\/td>\n<\/tr>\n
 <\/td>\nAnimal<\/em><\/td>\nSpring King<\/td>\nA Better Life<\/em><\/td>\n17<\/td>\n<\/tr>\n
15<\/td>\nNothingness<\/em><\/td>\nEditors<\/td>\nViolence<\/em><\/td>\n16<\/td>\n<\/tr>\n
 <\/td>\nShake the Dope Out<\/em> (live)<\/td>\nThe Warlocks<\/td>\nVevey<\/em><\/td>\n16<\/td>\n<\/tr>\n
 <\/td>\nBaby Blue<\/em> (live)<\/td>\nThe Warlocks<\/td>\nVevey<\/em><\/td>\n16<\/td>\n<\/tr>\n
 <\/td>\nWhite Eyes<\/em><\/td>\nThe Wombats<\/td>\nBeautiful People Will Ruin Your Life<\/em><\/td>\n16<\/td>\n<\/tr>\n
19<\/td>\nEcho<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n15<\/td>\n<\/tr>\n
 <\/td>\nOnce in My Life<\/em><\/td>\nThe Decemberists<\/td>\nI’ll Be Your Girl<\/em><\/td>\n15<\/td>\n<\/tr>\n
 <\/td>\nFort Knox<\/em><\/td>\nNoel Gallagher’s High Flying Birds<\/td>\nWho Built the Moon?<\/em><\/td>\n15<\/td>\n<\/tr>\n
 <\/td>\nI Won’t Come Back<\/em><\/td>\nJ.C. Satàn<\/td>\nCentaur Desire<\/em><\/td>\n15<\/td>\n<\/tr>\n
 <\/td>\nCentaur Desire<\/em><\/td>\nJ.C. Satàn<\/td>\nCentaur Desire<\/em><\/td>\n15<\/td>\n<\/tr>\n
 <\/td>\n5 ft Tall<\/em><\/td>\nTy Segall<\/td>\nFreedom’s Goblin<\/em><\/td>\n15<\/td>\n<\/tr>\n
 <\/td>\nOver and Over and Over<\/em><\/td>\nJack White<\/td>\nBoarding House Reach<\/em><\/td>\n15<\/td>\n<\/tr>\n
 <\/td>\nIce Cream<\/em><\/td>\nThe Wombats<\/td>\nBeautiful People Will Ruin Your Life<\/em><\/td>\n15<\/td>\n<\/tr>\n
27<\/td>\nCity Looks Pretty<\/em><\/td>\nCourtney Barnett<\/td>\nTell Me How You Really Feel<\/em><\/td>\n14<\/td>\n<\/tr>\n
 <\/td>\nNameless, Faceless<\/em><\/td>\nCourtney Barnett<\/td>\nTell Me How You Really Feel<\/em><\/td>\n14<\/td>\n<\/tr>\n
 <\/td>\nKing of Bones<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n14<\/td>\n<\/tr>\n
 <\/td>\nDarkness at the Door<\/em><\/td>\nEditors<\/td>\nViolence<\/em><\/td>\n14<\/td>\n<\/tr>\n
 <\/td>\nInterlude (Wednesday part 1)<\/em><\/td>\nNoel Gallagher’s High Flying Birds<\/td>\nWho Built the Moon?<\/em><\/td>\n14<\/td>\n<\/tr>\n
 <\/td>\nThe Road<\/em><\/td>\nJ.C. Satàn<\/td>\nCentaur Desire<\/em><\/td>\n14<\/td>\n<\/tr>\n
 <\/td>\nKilled Someone<\/em><\/td>\nThe Men<\/td>\nDrift<\/em><\/td>\n14<\/td>\n<\/tr>\n
 <\/td>\nShe<\/em><\/td>\nTy Segall<\/td>\nFreedom’s Goblin<\/em><\/td>\n14<\/td>\n<\/tr>\n
35<\/td>\nSpook<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nMiracle Mile<\/em> (live)<\/td>\nCold War Kids<\/td>\nAudience Live<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nHold My Girl<\/em><\/td>\nGeorge Ezra<\/td>\nStaying at Tamara’s<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nThe Palace<\/em><\/td>\nFather John Misty<\/td>\nGod’s Favorite Customer<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nGlimpse of Love<\/em><\/td>\nFranz Ferdinand<\/td>\nAlways Ascending<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nIf Love Is the Law<\/em><\/td>\nNoel Gallagher’s High Flying Birds<\/td>\nWho Built the Moon?<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nThe Man Who Built the Moon<\/em><\/td>\nNoel Gallagher’s High Flying Birds<\/td>\nWho Built the Moon?<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nFlight of Fancy<\/em><\/td>\nInterpol<\/td>\nMarauder<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nEverybody Wants to Be Famous<\/em><\/td>\nSuperorganism<\/td>\nSuperorganism<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nCaveman Rocks<\/em> (live)<\/td>\nThe Warlocks<\/td>\nVevey<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nDip You in Honey<\/em><\/td>\nThe Wombats<\/td>\nBeautiful People Will Ruin Your Life<\/em><\/td>\n13<\/td>\n<\/tr>\n
 <\/td>\nI Don’t Know Why I Like You but I Do<\/em><\/td>\nThe Wombats<\/td>\nBeautiful People Will Ruin Your Life<\/em><\/td>\n13<\/td>\n<\/tr>\n
48<\/td>\nHandyman<\/em><\/td>\nAwolnation<\/td>\nHere Come the Runts<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nAll Rise<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nRusalka, Rusalka \/ The Wild Rushes<\/em><\/td>\nThe Decemberists<\/td>\nI’ll Be Your Girl<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nBelong<\/em><\/td>\nEditors<\/td>\nViolence<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nParadise<\/em><\/td>\nGeorge Ezra<\/td>\nStaying at Tamara’s<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nAlways Ascending<\/em><\/td>\nFranz Ferdinand<\/td>\nAlways Ascending<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nFeel the Love Go<\/em><\/td>\nFranz Ferdinand<\/td>\nAlways Ascending<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nReally Nice Guys<\/em><\/td>\nRon Gallo<\/td>\nReally Nice Guys<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nSamaritans<\/em><\/td>\nIDLES<\/td>\nJoy as an Act of Resistance<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nLies<\/em><\/td>\nJ.C. Satàn<\/td>\nCentaur Desire<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nCome to Me<\/em><\/td>\nThe Men<\/td>\nDrift<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nArtificial Nocturne<\/em> (live)<\/td>\nMetric<\/td>\nDreams so Real – Live in Concert<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nGirls Like You<\/em> (stripped)<\/td>\nThe Naked and Famous<\/td>\nA Still Heart<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nYoung Blood<\/em> (stripped)<\/td>\nThe Naked and Famous<\/td>\nA Still Heart<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nWhen Mommy Kills You<\/em><\/td>\nTy Segall<\/td>\nFreedom’s Goblin<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nCome Save Us<\/em> (live)<\/td>\nThe Warlocks<\/td>\nVevey<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nThe Dope Feels Good<\/em> (live)<\/td>\nThe Warlocks<\/td>\nVevey<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nRespect Commander<\/em><\/td>\nJack White<\/td>\nBoarding House Reach<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nSixteen Saltines<\/em> (live)<\/td>\nJack White<\/td>\nMaison de la Radio, Paris, 29\/03\/2018<\/em><\/td>\n12<\/td>\n<\/tr>\n
 <\/td>\nLemon to a Knife Fight<\/em><\/td>\nThe Wombats<\/td>\nBeautiful People Will Ruin Your Life<\/em><\/td>\n12<\/td>\n<\/tr>\n
68<\/td>\nSomethings Is Not Right with Me<\/em> (live)<\/td>\nCold War Kids<\/td>\nAudience Live<\/em><\/td>\n11<\/td>\n<\/tr>\n
 <\/td>\nThe Pulse<\/em><\/td>\nEditors<\/td>\nViolence<\/em><\/td>\n11<\/td>\n<\/tr>\n
 <\/td>\nDon’t Matter Now<\/em><\/td>\nGeorge Ezra<\/td>\nStaying at Tamara’s<\/em><\/td>\n11<\/td>\n<\/tr>\n
 <\/td>\nSurveillance<\/em><\/td>\nInterpol<\/td>\nMarauder<\/em><\/td>\n11<\/td>\n<\/tr>\n
 <\/td>\nThe End<\/em><\/td>\nJ.C. Satàn<\/td>\nCentaur Desire<\/em><\/td>\n11<\/td>\n<\/tr>\n
 <\/td>\nThe Hum<\/em><\/td>\nSpring King<\/td>\nA Better Life<\/em><\/td>\n11<\/td>\n<\/tr>\n
 <\/td>\nAngry Demons<\/em> (live)<\/td>\nThe Warlocks<\/td>\nVevey<\/em><\/td>\n11<\/td>\n<\/tr>\n
75<\/td>\nFuture Me Hates Me<\/em><\/td>\nThe Beths<\/td>\nFuture Me Hates Me<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nCarried from the Start<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nFirst<\/em> (live)<\/td>\nCold War Kids<\/td>\nAudience Live<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nLois Lane<\/em><\/td>\nFranz Ferdinand<\/td>\nAlways Ascending<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nKeep on Reaching<\/em><\/td>\nNoel Gallagher’s High Flying Birds<\/td>\nWho Built the Moon?<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nEnd Credits (Wednesday part 2)<\/em><\/td>\nNoel Gallagher’s High Flying Birds<\/td>\nWho Built the Moon?<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nRough Mix<\/em><\/td>\nRon Gallo<\/td>\nReally Nice Guys<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nNumber 10<\/em><\/td>\nInterpol<\/td>\nMarauder<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nDrink, Dope and Debauchery<\/em><\/td>\nJ.C. Satàn<\/td>\nCentaur Desire<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nLibera<\/em><\/td>\nJ.C. Satàn<\/td>\nCentaur Desire<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nSynthetica<\/em> (live)<\/td>\nMetric<\/td>\nDreams so Real – Live in Concert<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nComa idyllique<\/em><\/td>\nThérapie Taxi<\/td>\nHit Sale<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nIce Station Zebra<\/em><\/td>\nJack White<\/td>\nBoarding House Reach<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nCorporation<\/em> (live)<\/td>\nJack White<\/td>\nMaison de la Radio, Paris, 29\/03\/2018<\/em><\/td>\n10<\/td>\n<\/tr>\n
 <\/td>\nBeauty Queen<\/em><\/td>\nZuzu<\/td>\nMade on Earth by Humans<\/em><\/td>\n10<\/td>\n<\/tr>\n
90<\/td>\nBanger<\/em><\/td>\nBad Sounds<\/td>\nGet Better<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nCrippling Self Doubt and a General Lack of Self Confidence<\/em><\/td>\nCourtney Barnett<\/td>\nTell Me How You Really Feel<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nNot Running<\/em><\/td>\nThe Beths<\/td>\nFuture Me Hates Me<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nLess Than Thou<\/em><\/td>\nThe Beths<\/td>\nFuture Me Hates Me<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nDFF<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nHaunt<\/em><\/td>\nBlack Rebel Motorcycle Club<\/td>\nWrong Creatures<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nWe Don’t Care<\/em><\/td>\nBØRNS<\/td>\nBlue Madonna<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nWe Used to Vacation<\/em> (live)<\/td>\nCold War Kids<\/td>\nAudience Live<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nCold<\/em><\/td>\nEditors<\/td>\nViolence<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nGet Away<\/em><\/td>\nGeorge Ezra<\/td>\nStaying at Tamara’s<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nAll My Love<\/em><\/td>\nGeorge Ezra<\/td>\nStaying at Tamara’s<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nSaviour<\/em> (feat. First Aid Kit)<\/td>\nGeorge Ezra<\/td>\nStaying at Tamara’s<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nJust Dumb Enough to Try<\/em><\/td>\nFather John Misty<\/td>\nGod’s Favorite Customer<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nDisappointing Diamonds Are the Rarest of Them All<\/em><\/td>\nFather John Misty<\/td>\nGod’s Favorite Customer<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nNot Everything Was Better in the Past<\/em><\/td>\nFink<\/td>\nResurgam<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nBe Careful What You Wish for<\/em><\/td>\nNoel Gallagher’s High Flying Birds<\/td>\nWho Built the Moon?<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nGod Help Us All<\/em><\/td>\nNoel Gallagher’s High Flying Birds<\/td>\nWho Built the Moon?<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nYouTubular<\/em><\/td>\nRon Gallo<\/td>\nReally Nice Guys<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nMayday<\/em><\/td>\nThe Go! Team<\/td>\nSemicircle<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nComplications<\/em><\/td>\nInterpol<\/td>\nMarauder<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nNo Brain No Shame<\/em><\/td>\nJ.C. Satàn<\/td>\nCentaur Desire<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nToo Little Too Late<\/em><\/td>\nMiles Kane<\/td>\nCoup de Grâce<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nCry on My Guitar<\/em><\/td>\nMiles Kane<\/td>\nCoup de Grâce<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nThe Shade<\/em> (live)<\/td>\nMetric<\/td>\nDreams so Real – Live in Concert<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nStretch Your Eyes<\/em> (Ambient Acapella)<\/td>\nAgnes Obel<\/td>\nLate-Night Tales: Agnes Obel<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nThat’s Not How Dreams Are Made<\/em><\/td>\nJasper Steverlinck<\/td>\nNight Prayer<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nCri des loups<\/em><\/td>\nThérapie Taxi<\/td>\nHit Sale<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nZarba<\/em><\/td>\nThérapie Taxi<\/td>\nHit Sale<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nIt’s Just Like Surgery<\/em> (live)<\/td>\nThe Warlocks<\/td>\nVevey<\/em><\/td>\n9<\/td>\n<\/tr>\n
 <\/td>\nHigh Ball Stepper<\/em> (live)<\/td>\nJack White<\/td>\nMaison de la Radio, Paris, 29\/03\/2018<\/em><\/td>\n9<\/td>\n<\/tr>\n<\/table>\n

Archives 2017<\/a> – 2016<\/a> – 2015<\/a> – 2014<\/a> – 2013<\/a> – 2012<\/a> – 2011<\/a><\/p>\n

\n

_____ <\/p>\n

1. Et des brouettes.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

2018 en 100 nouveaux titres les plus écoutés… … à la radio, dans le métro, dans des bistrots, au boulot et chez des gros et entrés en liste personnelle le 1er décembre 2017 et le 30 novembre 2018 (sinon on y verrait Moha la Squale, Tekashi six-ixe-neuf-ine et le dernier Arctic Monkeys). Le vrai classement,…<\/p>\n","protected":false},"author":1,"featured_media":40605,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[167],"class_list":["post-40604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dpc","tag-classements-de-fin-dannee"],"acf":[],"geo":null,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2018\/12\/20181201.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-ayU","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":132422,"url":"https:\/\/www.wallendorff.com\/belogue\/2025\/06\/12\/jaunes-dombres\/","url_meta":{"origin":40604,"position":0},"title":"Jaunes d’ombres.","author":"dpc","date":"12 juin 2025","format":false,"excerpt":"Tour Montparnasse, Paris, 18 avril 2024.Merci \u00e0 Lala mais pas \u00e0 Leffe\u00ae ni Twinuts\u00ae car j'ai sottement oubli\u00e9 de faire les commissions. Et \u00e0 part \u00e7a... Il y a vingt-et-un ans, les Pistons de D\u00e9troit \u00e9taient en finale NBA. 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C'est moins qu'en 2024 mais entre nous j'\u00e9tais un peu moins l\u00e0. On dirait que le clivage rive nord \u2013 rive sud est quand m\u00eame moins marqu\u00e9 qu'avant. 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Mais il a tenu, d'abord sur feu 20six, puis en solitaire sur ce site, traversant les plateformes et les modes jusqu'\u00e0 aujourd'hui. 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