{"id":36797,"date":"2017-12-01T16:34:19","date_gmt":"2017-12-01T14:34:19","guid":{"rendered":"http:\/\/www.wallendorff.com\/belogue\/?p=36797"},"modified":"2017-12-22T16:40:03","modified_gmt":"2017-12-22T14:40:03","slug":"2017-en-0","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2017\/12\/01\/2017-en-0\/","title":{"rendered":"2017 en… #0."},"content":{"rendered":"
\n

<\/p>\n<\/div>\n

2017 en 100 nouveaux titres les plus écoutés…<\/sup><\/sup><\/h1>\n

… à la radio, dans le métro, dans des bistrots, au boulot et chez des gros et entrés le 1er<\/sup> décembre 2016 et le 30 novembre 2017 dans ma liste personnelle (sinon on y verrait Vald, Despacito et Broken Back).<\/p>\n

Le vrai classement, pensé et repensé et surtout plein de mauvaise foi et d’oublis, viendra en fin de mois.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1<\/td>\nYoung Lady, You’re Scaring Me<\/em><\/td>\nRon Gallo<\/strong><\/td>\nHeavy Meta<\/em><\/td>\n36<\/td>\n<\/tr>\n
2<\/td>\nRestart<\/em><\/td>\nBNQT<\/strong><\/td>\nVolume 1<\/em><\/td>\n26<\/td>\n<\/tr>\n
You’re in Love With a Psycho<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n26<\/td>\n<\/tr>\n
4<\/td>\nEverything Now<\/em><\/td>\nArcade Fire<\/strong><\/td>\nEverything Now<\/em><\/td>\n25<\/td>\n<\/tr>\n
5<\/td>\nI Only Lie When I Love You<\/em><\/td>\nRoyal Blood<\/strong><\/td>\nHow Did We Get so Dark?<\/em><\/td>\n24<\/td>\n<\/tr>\n
6<\/td>\nOh Woman Oh Man<\/em><\/td>\nLondon Grammar<\/strong><\/td>\nTruth Is a Beautiful Thing<\/em><\/td>\n23<\/td>\n<\/tr>\n
7<\/td>\nWaste My Time<\/em><\/td>\nFindlay<\/strong><\/td>\nForgotten Pleasures<\/em><\/td>\n22<\/td>\n<\/tr>\n
Lights Out<\/em><\/td>\nRoyal Blood<\/strong><\/td>\nHow Did We Get so Dark?<\/em><\/td>\n22<\/td>\n<\/tr>\n
9<\/td>\nIn Cold Blood<\/em><\/td>\n∆<\/strong><\/td>\nRelaxer<\/em><\/td>\n21<\/td>\n<\/tr>\n
Arc of Bar<\/em><\/td>\nJapandroids<\/strong><\/td>\nNear to the Wild Heart of Life<\/em><\/td>\n21<\/td>\n<\/tr>\n
11<\/td>\nDocteur (donnez-moi quelque chose)<\/em><\/td>\nAdieu Gary Cooper<\/strong><\/td>\nDocteur (donnez-moi quelque chose)<\/em><\/td>\n20<\/td>\n<\/tr>\n
Without You<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n20<\/td>\n<\/tr>\n
Total Entertainment Forever<\/em><\/td>\nFather John Misty<\/strong><\/td>\nPure Comedy<\/em><\/td>\n20<\/td>\n<\/tr>\n
Teasin’<\/em><\/td>\nHiccup<\/strong><\/td>\nImaginary Enemies<\/em><\/td>\n20<\/td>\n<\/tr>\n
No Known Drink or Drug<\/em><\/td>\nJapandroids<\/strong><\/td>\nNear to the Wild Heart of Life<\/em><\/td>\n20<\/td>\n<\/tr>\n
Ill Ray (The King)<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n20<\/td>\n<\/tr>\n
Black Francis<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n20<\/td>\n<\/tr>\n
Will to Life<\/em><\/td>\nTall Ships<\/strong><\/td>\nImpressions<\/em><\/td>\n20<\/td>\n<\/tr>\n
19<\/td>\nCreature Comfort<\/em><\/td>\nArcade Fire<\/strong><\/td>\nEverything Now<\/em><\/td>\n19<\/td>\n<\/tr>\n
Shine on Me<\/em><\/td>\nDan Auerbach<\/strong><\/td>\nWaiting on a Song<\/em><\/td>\n19<\/td>\n<\/tr>\n
Poor Traits of the Artist<\/em><\/td>\nRon Gallo<\/strong><\/td>\nHeavy Meta<\/em><\/td>\n19<\/td>\n<\/tr>\n
The Rabies Are Back<\/em><\/td>\nThe Moonlandingz<\/strong><\/td>\nInterplanetary Class Classics<\/em><\/td>\n19<\/td>\n<\/tr>\n
Take Care (to Comb Your Hair)<\/em><\/td>\nTy Segall<\/strong><\/td>\nTy Segall<\/em><\/td>\n19<\/td>\n<\/tr>\n
Silk<\/em><\/td>\nWolf Alice<\/strong><\/td>\nT2 Trainspotting (Original Motion Picture Soundtrack)<\/em><\/td>\n19<\/td>\n<\/tr>\n
25<\/td>\nHow to Boil an Egg<\/em><\/td>\nCourtney Barnett<\/strong><\/td>\nHow to Boil an Egg \/ Jesus Part 2<\/em><\/td>\n18<\/td>\n<\/tr>\n
Love’s Run Out<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n18<\/td>\n<\/tr>\n
Bluff <\/em>(feat. Agnès Aokky)<\/td>\nFuturo Pelo<\/strong><\/td>\nEP<\/em><\/td>\n18<\/td>\n<\/tr>\n
Kill the Medicine Man<\/em><\/td>\nRon Gallo<\/strong><\/td>\nHeavy Meta<\/em><\/td>\n18<\/td>\n<\/tr>\n
Kids (Ain’t All Right)<\/em><\/td>\nGrace Mitchell<\/strong><\/td>\nKids (Ain’t All Right)<\/em><\/td>\n18<\/td>\n<\/tr>\n
Vessels<\/em><\/td>\nThe Moonlandingz<\/strong><\/td>\nInterplanetary Class Classics<\/em><\/td>\n18<\/td>\n<\/tr>\n
Day by Day<\/em><\/td>\nTall Ships<\/strong><\/td>\nImpressions<\/em><\/td>\n18<\/td>\n<\/tr>\n
32<\/td>\nGoodbye<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n17<\/td>\n<\/tr>\n
Colour of Water<\/em><\/td>\nRose Elinor Dougall<\/strong><\/td>\nStellular<\/em><\/td>\n17<\/td>\n<\/tr>\n
Les Cactus <\/em>(Jacques Dutronc cover)<\/td>\nThe Last Shadow Puppets<\/strong><\/td>\nThe Dream Synopsis<\/em><\/td>\n17<\/td>\n<\/tr>\n
Sweet Saturn Mine<\/em><\/td>\nThe Moonlandingz<\/strong><\/td>\nInterplanetary Class Classics<\/em><\/td>\n17<\/td>\n<\/tr>\n
Buddy<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n17<\/td>\n<\/tr>\n
37<\/td>\nNear to the Wild Heart of Life<\/em><\/td>\nJapandroids<\/strong><\/td>\nNear to the Wild Heart of Life<\/em><\/td>\n16<\/td>\n<\/tr>\n
North East South West<\/em><\/td>\nJapandroids<\/strong><\/td>\nNear to the Wild Heart of Life<\/em><\/td>\n16<\/td>\n<\/tr>\n
True Love and a Free Life of Free Will<\/em><\/td>\nJapandroids<\/strong><\/td>\nNear to the Wild Heart of Life<\/em><\/td>\n16<\/td>\n<\/tr>\n
In a Body Like a Grave<\/em><\/td>\nJapandroids<\/strong><\/td>\nNear to the Wild Heart of Life<\/em><\/td>\n16<\/td>\n<\/tr>\n
Big Beautiful Day<\/em><\/td>\nPWR BTTM<\/strong><\/td>\nPageant<\/em><\/td>\n16<\/td>\n<\/tr>\n
Petrichor<\/em><\/td>\nTall Ships<\/strong><\/td>\nImpressions<\/em><\/td>\n16<\/td>\n<\/tr>\n
43<\/td>\nReal Love<\/em><\/td>\nBNQT<\/strong><\/td>\nVolume 1<\/em><\/td>\n15<\/td>\n<\/tr>\n
Love Is Mystical<\/em><\/td>\nCold War Kids<\/strong><\/td>\nL.A. Divine<\/em><\/td>\n15<\/td>\n<\/tr>\n
Please Yourself<\/em><\/td>\nRon Gallo<\/strong><\/td>\nHeavy Meta<\/em><\/td>\n15<\/td>\n<\/tr>\n
Heads Up<\/em><\/td>\nJaïn<\/strong><\/td>\nZanaka<\/em><\/td>\n15<\/td>\n<\/tr>\n
Fry<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n15<\/td>\n<\/tr>\n
Pageant<\/em><\/td>\nPWR BTTM<\/strong><\/td>\nPageant<\/em><\/td>\n15<\/td>\n<\/tr>\n
The Way You Used to Do<\/em><\/td>\nQueens of the Stone Age<\/strong><\/td>\nVillains<\/em><\/td>\n15<\/td>\n<\/tr>\n
50<\/td>\nHey Banana<\/em><\/td>\nBNQT<\/strong><\/td>\nVolume 1<\/em><\/td>\n14<\/td>\n<\/tr>\n
Wake Up<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n14<\/td>\n<\/tr>\n
Perfect Places<\/em><\/td>\nLorde<\/strong><\/td>\nMelodrama<\/em><\/td>\n14<\/td>\n<\/tr>\n
Lufthansa Man<\/em><\/td>\nThe Moonlandingz<\/strong><\/td>\nInterplanetary Class Classics<\/em><\/td>\n14<\/td>\n<\/tr>\n
Body Reprise<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n14<\/td>\n<\/tr>\n
Ring Pop<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n14<\/td>\n<\/tr>\n
Meditations on Loss<\/em><\/td>\nTall Ships<\/strong><\/td>\nImpressions<\/em><\/td>\n14<\/td>\n<\/tr>\n
57<\/td>\nMedicine<\/em><\/td>\nThe Black Angels<\/strong><\/td>\nDeath Song<\/em><\/td>\n13<\/td>\n<\/tr>\n
Lost Cause<\/em><\/td>\nBlack Pistol Fire<\/strong><\/td>\nDeadbeat Graffiti<\/em><\/td>\n13<\/td>\n<\/tr>\n
Fire That Burns<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n13<\/td>\n<\/tr>\n
A Night on the Broken Tiles<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n13<\/td>\n<\/tr>\n
God of Nicaragua<\/em><\/td>\nFeral Ohms<\/strong><\/td>\nFeral Ohms<\/em><\/td>\n13<\/td>\n<\/tr>\n
Twentyfourseven<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n13<\/td>\n<\/tr>\n
Answer My Text<\/em><\/td>\nPWR BTTM<\/strong><\/td>\nPageant<\/em><\/td>\n13<\/td>\n<\/tr>\n
Weirdo<\/em><\/td>\nVukovi<\/strong><\/td>\nVukovi<\/em><\/td>\n13<\/td>\n<\/tr>\n
65<\/td>\nHit Me Like That Snare<\/em><\/td>\n∆<\/strong><\/td>\nRelaxer<\/em><\/td>\n12<\/td>\n<\/tr>\n
Half Believing<\/em><\/td>\nThe Black Angels<\/strong><\/td>\nDeath Song<\/em><\/td>\n12<\/td>\n<\/tr>\n
Stuck<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n12<\/td>\n<\/tr>\n
Wasted<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n12<\/td>\n<\/tr>\n
All Through the Night<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n12<\/td>\n<\/tr>\n
Gamma Knife<\/em><\/td>\nKing Gizzard & the Lizard Wizard<\/strong><\/td>\nNonagon Infinity<\/em><\/td>\n12<\/td>\n<\/tr>\n
I.D.S<\/em><\/td>\nThe Moonlandingz<\/strong><\/td>\nInterplanetary Class Classics<\/em><\/td>\n12<\/td>\n<\/tr>\n
Vacation<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n12<\/td>\n<\/tr>\n
Bouncy Castle<\/em><\/td>\nVukovi<\/strong><\/td>\nVukovi<\/em><\/td>\n12<\/td>\n<\/tr>\n
Boy George<\/em><\/td>\nVukovi<\/strong><\/td>\nVukovi<\/em><\/td>\n12<\/td>\n<\/tr>\n
75<\/td>\nSigns of Life<\/em><\/td>\nArcade Fire<\/strong><\/td>\nEverything Now<\/em><\/td>\n11<\/td>\n<\/tr>\n
Infinite Content<\/em><\/td>\nArcade Fire<\/strong><\/td>\nEverything Now<\/em><\/td>\n11<\/td>\n<\/tr>\n
Everything Now <\/em>(continued)<\/td>\nArcade Fire<\/strong><\/td>\nEverything Now<\/em><\/td>\n11<\/td>\n<\/tr>\n
Livin’ in Sin<\/em><\/td>\nDan Auerbach<\/strong><\/td>\nWaiting on a Song<\/em><\/td>\n11<\/td>\n<\/tr>\n
Different Creatures<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n11<\/td>\n<\/tr>\n
Church <\/em>(live)<\/td>\nGary Clark, Jr.<\/strong><\/td>\nLive North America 2016<\/em><\/td>\n11<\/td>\n<\/tr>\n
One and Only<\/em><\/td>\nFrench for Rabbits<\/strong><\/td>\nThe Weight of Melted Snow<\/em><\/td>\n11<\/td>\n<\/tr>\n
Nothing to Find<\/em><\/td>\nThe War on Drugs<\/strong><\/td>\nA Deeper Understanding<\/em><\/td>\n11<\/td>\n<\/tr>\n
83<\/td>\nHunt Me Down<\/em><\/td>\nThe Black Angels<\/strong><\/td>\nDeath Song<\/em><\/td>\n10<\/td>\n<\/tr>\n
Days Shift<\/em><\/td>\nFrench for Rabbits<\/strong><\/td>\nThe Weight of Melted Snow<\/em><\/td>\n10<\/td>\n<\/tr>\n
Midnight to Morning<\/em><\/td>\nJapandroids<\/strong><\/td>\nNear to the Wild Heart of Life<\/em><\/td>\n10<\/td>\n<\/tr>\n
Comeback Kid<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n10<\/td>\n<\/tr>\n
The Party Never Ends<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n10<\/td>\n<\/tr>\n
Are You Looking for Action?<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n10<\/td>\n<\/tr>\n
Bless This Acid House<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n10<\/td>\n<\/tr>\n
Put Your Life on It<\/em><\/td>\nKasabian<\/strong><\/td>\nFor Crying Out Loud<\/em><\/td>\n10<\/td>\n<\/tr>\n
Billabong Valley<\/em><\/td>\nKing Gizzard & the Lizard Wizard<\/strong><\/td>\nFlying Microtonal Banana<\/em><\/td>\n10<\/td>\n<\/tr>\n
Nuclear Fusion<\/em><\/td>\nKing Gizzard & the Lizard Wizard<\/strong><\/td>\nFlying Microtonal Banana<\/em><\/td>\n10<\/td>\n<\/tr>\n
Black Hanz<\/em><\/td>\nThe Moonlandingz<\/strong><\/td>\nInterplanetary Class Classics<\/em><\/td>\n10<\/td>\n<\/tr>\n
They Put a body in the Bayou<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n10<\/td>\n<\/tr>\n
Creatures<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n10<\/td>\n<\/tr>\n
Heavy Head<\/em><\/td>\nThe Orwells<\/strong><\/td>\nTerrible Human Beings<\/em><\/td>\n10<\/td>\n<\/tr>\n
Lust for Life <\/em>(The Prodigy remix)<\/td>\nIggy Pop<\/strong><\/td>\nT2 Trainspotting (Original Motion Picture Soundtrack)<\/em><\/td>\n10<\/td>\n<\/tr>\n
How Did We Get so Dark?<\/em><\/td>\nRoyal Blood<\/strong><\/td>\nHow Did We Get so Dark?<\/em><\/td>\n10<\/td>\n<\/tr>\n
You’re Dreaming<\/em><\/td>\nWolf Parade<\/strong><\/td>\nCry Cry Cry<\/em><\/td>\n10<\/td>\n<\/tr>\n
100<\/td>\nChemistry<\/em><\/td>\nArcade Fire<\/strong><\/td>\nEverything Now<\/em><\/td>\n9<\/td>\n<\/tr>\n
Infinite_Content<\/em><\/td>\nArcade Fire<\/strong><\/td>\nEverything Now<\/em><\/td>\n9<\/td>\n<\/tr>\n
Estimate<\/em><\/td>\nThe Black Angels<\/strong><\/td>\nDeath Song<\/em><\/td>\n9<\/td>\n<\/tr>\n
Crying Shame<\/em><\/td>\nCirca Waves<\/strong><\/td>\nDifferent Creatures<\/em><\/td>\n9<\/td>\n<\/tr>\n
Love →  Building on Fire<\/em> (Talking Heads cover)<\/td>\nJapandroids<\/strong><\/td>\nNear to the Wild Heart of Life<\/em><\/td>\n9<\/td>\n<\/tr>\n
The Dream Synopsis<\/em> (The Dream Synopsis version)<\/td>\nThe Last Shadow Puppets<\/strong><\/td>\nThe Dream Synopsis<\/em><\/td>\n9<\/td>\n<\/tr>\n
Green Light<\/em><\/td>\nLorde<\/strong><\/td>\nMelodrama<\/em><\/td>\n9<\/td>\n<\/tr>\n
Neuf du Pape<\/em><\/td>\nThe Moonlandingz<\/strong><\/td>\nInterplanetary Class Classics<\/em><\/td>\n9<\/td>\n<\/tr>\n
Where Are You Now?<\/em><\/td>\nRoyal Blood<\/strong><\/td>\nHow Did We Get so Dark?<\/em><\/td>\n9<\/td>\n<\/tr>\n
Hole in Your Heart<\/em><\/td>\nRoyal Blood<\/strong><\/td>\nHow Did We Get so Dark?<\/em><\/td>\n9<\/td>\n<\/tr>\n
Orange Color Queen<\/em><\/td>\nTy Segall<\/strong><\/td>\nTy Segall<\/em><\/td>\n9<\/td>\n<\/tr>\n
Road Not Taken<\/em><\/td>\nTall Ships<\/strong><\/td>\nImpressions<\/em><\/td>\n9<\/td>\n<\/tr>\n
Silver and Gold<\/em> (Sun City)<\/td>\nU2<\/strong><\/td>\nThe Joshua Tree – 30th anniversary<\/em><\/td>\n9<\/td>\n<\/tr>\n
Target Practice<\/em><\/td>\nVukovi<\/strong><\/td>\nVukovi<\/em><\/td>\n9<\/td>\n<\/tr>\n
Dangerous<\/em><\/td>\nThe xx<\/strong><\/td>\nI See You<\/em><\/td>\n9<\/td>\n<\/tr>\n<\/table>\n

Archives 2016<\/a> – 2015<\/a> – 2014<\/a> – 2013<\/a> – 2012<\/a> – 2011<\/a><\/p>\n

\n

_____ <\/p>\n

1. Et des brouettes.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

2017 en 100 nouveaux titres les plus écoutés… … à la radio, dans le métro, dans des bistrots, au boulot et chez des gros et entrés le 1er décembre 2016 et le 30 novembre 2017 dans ma liste personnelle (sinon on y verrait Vald, Despacito et Broken Back). Le vrai classement, pensé et repensé et…<\/p>\n","protected":false},"author":1,"featured_media":36798,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"2017 en... #0.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3],"tags":[167],"class_list":["post-36797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dpc","tag-classements-de-fin-dannee"],"acf":[],"geo":null,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2017\/12\/20171201.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-9zv","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":135161,"url":"https:\/\/www.wallendorff.com\/belogue\/2026\/01\/30\/en-2025-2-2\/","url_meta":{"origin":36797,"position":0},"title":"En 2025 [2\/2].","author":"dpc","date":"30 janvier 2026","format":false,"excerpt":"5 364 km dans Paris en 2025. C'est moins qu'en 2024 mais entre nous j'\u00e9tais un peu moins l\u00e0. On dirait que le clivage rive nord \u2013 rive sud est quand m\u00eame moins marqu\u00e9 qu'avant. Toujours beaucoup de voiture dans Paris en 2025 mais y a des choses dans la\u2026","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260130-01.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260130-01.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260130-01.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260130-01.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260130-01.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":132422,"url":"https:\/\/www.wallendorff.com\/belogue\/2025\/06\/12\/jaunes-dombres\/","url_meta":{"origin":36797,"position":1},"title":"Jaunes d’ombres.","author":"dpc","date":"12 juin 2025","format":false,"excerpt":"Tour Montparnasse, Paris, 18 avril 2024.Merci \u00e0 Lala mais pas \u00e0 Leffe\u00ae ni Twinuts\u00ae car j'ai sottement oubli\u00e9 de faire les commissions. Et \u00e0 part \u00e7a... Il y a vingt-et-un ans, les Pistons de D\u00e9troit \u00e9taient en finale NBA. 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Toujours trop de CO2 en 2025. Et \u00e0 partir de cette ann\u00e9e je vous mets de follement int\u00e9ressantes statistiques de photos. Mais \u00e0 part \u00e7a, rien. Questions\u2026","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260128-01.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260128-01.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260128-01.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260128-01.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2026\/01\/20260128-01.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":124649,"url":"https:\/\/www.wallendorff.com\/belogue\/2023\/06\/12\/servus-wien-6\/","url_meta":{"origin":36797,"position":3},"title":"Servus Wien.","author":"dpc","date":"12 juin 2023","format":false,"excerpt":"[La galerie compl\u00e8te vient apr\u00e8s ce looooong texte traditionnel dont l'origine se perd dans les pr\u00e9mices de ce mill\u00e9naires.] Vienne, 14 \u2013 15 avril 2023. Can't Even Tell Soul Asylum Il y a dix-neuf ans, les Pistons de D\u00e9troit \u00e9taient en finale NBA. Il y a dix-huit ans, les Pistons\u2026","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/06\/20230612-09.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/06\/20230612-09.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/06\/20230612-09.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/06\/20230612-09.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/06\/20230612-09.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":127845,"url":"https:\/\/www.wallendorff.com\/belogue\/2024\/04\/22\/muse-st-andrews-hall-detroit-22-avril-2004\/","url_meta":{"origin":36797,"position":4},"title":"Muse @ St. Andrew’s Hall, D\u00e9troit, 22 avril 2004.","author":"dpc","date":"22 avril 2024","format":false,"excerpt":"Hysteria | New Born | The Small Print | Sing for Absolution | Muscle Museum | Citizen Erased | Ruled by Secrecy | Sunburn | Butterflies & Hurricanes | Bliss | Time Is Running Out | Plug in Baby || Apocalypse Please | Stockholm SyndromeIl y a 20 ans, je\u2026","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240422-14.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240422-14.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240422-14.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240422-14.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240422-14.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":128261,"url":"https:\/\/www.wallendorff.com\/belogue\/2024\/06\/12\/cetait-2004\/","url_meta":{"origin":36797,"position":5},"title":"C’\u00e9tait 2004.","author":"dpc","date":"12 juin 2024","format":false,"excerpt":"En ouvrant ce journal, il y a 20 ans, je n'aurais jamais pens\u00e9 qu'il durerait si longtemps. Mais il a tenu, d'abord sur feu 20six, puis en solitaire sur ce site, traversant les plateformes et les modes jusqu'\u00e0 aujourd'hui. 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