{"id":3660,"date":"2008-12-09T15:48:59","date_gmt":"2008-12-09T13:48:59","guid":{"rendered":"http:\/\/www.po-l.com\/belogue\/?p=3660"},"modified":"2012-08-07T11:45:42","modified_gmt":"2012-08-07T09:45:42","slug":"the-black-angels-lelysee-montmartre-paris","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2008\/12\/09\/the-black-angels-lelysee-montmartre-paris\/","title":{"rendered":"The Black Angels @ l’\u00c9lys\u00e9e-Montmartre, Paris."},"content":{"rendered":"
\n

<\/p>\n<\/div>\n

\n

The Black Angels<\/a> – Deer-Shee-Ree<\/em><\/p>\n<\/div>\n

The Black Angels ou la preuve criante qu’album marquant ne rime pas forcément avec soirée d’anthologie. Si, grâce à leur Directions to See a Ghost<\/em> sorti en avril, les Texans d’Austin ont remis au goût du jour un rock spleenien laconique et bien gras trempé dans le Velvet comme les Warlocks n’ont plus su en faire depuis leur Surgery<\/em> de 2005, sur scène ils pêchent par l’abus d’une formule qui, quoique captivante, revient vite se mordre la queue. Durant une grosse heure et demie, l’Élysée oscille entre riffs lourds, déprimés et lancinants et accords pesants, torturés et rampants. En gros, on repasse toujours par le même point qui, s’il plaît les deux ou trois premières fois, finit invariablement par lasser. Alex Maas ― croisement de Jim Morrison pour la voix et le phrasé, Fidel Castro pour le style et la barbouze et Robert Smith pour la posture et les pas de chat timide ― envoie du bois sur des versions de Science Killer<\/em> et Young Men Dead<\/em> vraiment méchantes, la batteuse Stephanie Bailey est impressionnante dans son style mais, malgré tout, quand vient le rappel, on se surprend à regarder sa montre un peu trop souvent et regretter que le fumage de drogue soit dorénavant interdit dans les salles de rock et roll, car ça nous aurait pas mal aidé à triper comme il s’eut dû toute une soirée. À la sortie, tous les avis que j’entends rejoignent le mien : excellent mais trop répétitif, avec la voix de Maas gâchée par un abus de réverb’ sur le son. La formule est payante, c’est certain, les Black Angels ont seulement besoin de travailler leur fond pour se hisser à la hauteur des Warlocks ou de Black Rebel Motorcycle Club. En attendant…<\/p>\n

« … ils devraient s’en tenir à faire des premières parties, quand ils ne jouent qu’une demi-heure ils sont mortels. »

\nGros Thom, 08 décembre 2008<\/em>. <\/p>ngg_shortcode_0_placeholder","protected":false},"excerpt":{"rendered":"

The Black Angels – Deer-Shee-Ree The Black Angels ou la preuve criante qu’album marquant ne rime pas forcément avec soirée d’anthologie. Si, grâce à leur Directions to See a Ghost sorti en avril, les Texans d’Austin ont remis au goût du jour un rock spleenien laconique et bien gras trempé dans le Velvet comme les…<\/p>\n","protected":false},"author":1,"featured_media":25311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[203,10143,10084,4516,196,187,10246,2597,4805,10120,10121,10276,143,10098,10407,10349],"class_list":["post-3660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alive","tag-203","tag-10143","tag-alive","tag-boulevard-rochechouart","tag-ef-28-70-mm-f28l-usm","tag-eos-1d-mark-ii","tag-contre-jour","tag-deer-shee-ree","tag-directions-to-see-a-ghost","tag-france","tag-ile-de-france","tag-lelysee-montmartre","tag-noir-et-blanc","tag-paris","tag-silhouette","tag-the-black-angels"],"acf":[],"geo":{"latitude":48.883007,"longitude":2.3433254,"description":"72 Boulevard de Rochechouart, 75018 Paris, France"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812091.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-X2","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3715,"url":"https:\/\/www.wallendorff.com\/belogue\/2008\/12\/27\/2008en-2\/","url_meta":{"origin":3660,"position":0},"title":"2008 en… #2.","author":"dpc","date":"27 d\u00e9cembre 2008","format":false,"excerpt":"L'\u00c9lys\u00e9e-Montmartre, Paris, 8 d\u00e9cembre. Pr\u00e9sentent Les 5 groupes inconnus au bataillon de 2007 et reconnus d'int\u00e9r\u00eat public en 2008 Je suis effectivement rest\u00e9 sceptique devant le concert de l'\u00c9lys\u00e9e-Montmartre, mais malgr\u00e9 tout, les Black Angels ont l\u00e2ch\u00e9 cette ann\u00e9e un Directions to See a Ghost qui m'a bluff\u00e9 de sa\u2026","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812271.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3651,"url":"https:\/\/www.wallendorff.com\/belogue\/2008\/12\/05\/julien-dore-lelysee-montmartre-paris-4-decembre\/","url_meta":{"origin":3660,"position":1},"title":"Julien Dor\u00e9 @ l’\u00c9lys\u00e9e-Montmartre, Paris.","author":"dpc","date":"5 d\u00e9cembre 2008","format":false,"excerpt":"Vivent les attach\u00e9es de presse, les spots, les \u00e9clairagistes, le format brut, les photos au 1\u00a0600e et euh... Radiohead. Radiohead \u2013 Electioneering","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812051.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812051.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812051.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812051.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":7547,"url":"https:\/\/www.wallendorff.com\/belogue\/2010\/05\/17\/unkle-lelysee-montmartre-paris\/","url_meta":{"origin":3660,"position":2},"title":"UNKLE @ l’\u00c9lys\u00e9e-Montmartre, Paris.","author":"dpc","date":"17 mai 2010","format":false,"excerpt":"\u00a0Holy Fuck \u2013 Latin America","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/20100517-011.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/20100517-011.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/20100517-011.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/20100517-011.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":948,"url":"https:\/\/www.wallendorff.com\/belogue\/2007\/05\/10\/195queens-of-the-stone-age-l-elysee-montmartre-paris\/","url_meta":{"origin":3660,"position":3},"title":"[195] Queens of the Stone Age @ l’\u00c9lys\u00e9e-Montmartre, Paris.","author":"dpc","date":"10 mai 2007","format":false,"excerpt":"H\u00e9h\u00e9h\u00e9, \u00e0 5\u00a0cm pr\u00e8s, je coupais aussi la main gauche du Josh Homme et apr\u00e8s \u00e7a et \u00e7a, on \u00e9tait parti pour une nouvelle s\u00e9rie de sinistrachirophobie, dis donc. \u00a0The Raconteurs \u2013 Level (live)","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200705101.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":222,"url":"https:\/\/www.wallendorff.com\/belogue\/2005\/11\/12\/the-warlocks-l-elysee-montmartre-paris\/","url_meta":{"origin":3660,"position":4},"title":"The Warlocks @ l’Élysée Montmartre, Paris.","author":"dpc","date":"12 novembre 2005","format":false,"excerpt":"Un concert qui finit en larsens et applaudissements m\u00eal\u00e9s est un concert qui finit bien. Sur des rythmiques lourdes, pesantes et denses qui mettent en transe sans qu'on s'en aper\u00e7oive, les Warlocks livrent un set tout en accords plaintifs qui se tra\u00eenent, en lumi\u00e8res qui clignotent, en silhouettes \u00e0 contre-jour,\u2026","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200511121.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32798,"url":"https:\/\/www.wallendorff.com\/belogue\/2016\/11\/03\/glass-animals-lelysee-montmartre-paris\/","url_meta":{"origin":3660,"position":5},"title":"Glass Animals @ l’\u00c9lys\u00e9e-Montmartre, Paris.","author":"dpc","date":"3 novembre 2016","format":false,"excerpt":"Premi\u00e8res grandes retrouvailles du mois, 2\u00a0184 jours plus tard. Le nouvel \u00c9lys\u00e9e est aussi beau, blanc et lumineux que sa pr\u00e9c\u00e9dente incarnation \u00e9tait amoch\u00e9e, sombre et suintante. M\u00e9connaissable, mais toujours aussi familier. La salle est peut-\u00eatre transfigur\u00e9e, mais sa vibration est inchang\u00e9e. C'est l\u00e0 que j'ai fait mon premier vrai\u2026","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2016\/11\/20161103-06-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2016\/11\/20161103-06-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2016\/11\/20161103-06-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2016\/11\/20161103-06-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/3660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/comments?post=3660"}],"version-history":[{"count":3,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/3660\/revisions"}],"predecessor-version":[{"id":18517,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/3660\/revisions\/18517"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media\/25311"}],"wp:attachment":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media?parent=3660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/categories?post=3660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/tags?post=3660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}