{"id":263,"date":"2005-11-24T08:32:04","date_gmt":"2005-11-24T08:32:04","guid":{"rendered":"http:\/\/www.po-l.com\/wordpress\/?p=263"},"modified":"2012-08-25T09:57:53","modified_gmt":"2012-08-25T07:57:53","slug":"art-work-3","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2005\/11\/24\/art-work-3\/","title":{"rendered":"Art[@]work #3."},"content":{"rendered":"<div id=\"photo\">\n<p><img decoding=\"async\" src=\"http:\/\/www.po-L.com\/belogue\/photo\/2005\/11\/20051124.jpg\" \/><\/p>\n<\/div>\n<p><em><strong>&laquo;&nbsp;Cath&eacute;drale St-&Eacute;tienne<\/strong><\/em><sup>1<\/sup><strong><em> de Metz&nbsp;&raquo;<\/em> (2005) &#8211; Sculpture en une touillette polypropyl&egrave;ne non ench&acirc;ss&eacute;e &agrave; la main, pr&eacute;sent&eacute;e ici avec l&rsquo;aimable autorisation du MAPM (Mus&eacute;e d&rsquo;Art en Plastique Moderne) des Hauts-de-Seine.<\/strong><\/p>\n<p><strong><em>&laquo;&nbsp;St-&Eacute;tienne<\/em><\/strong><sup>2<\/sup><strong><em> de Metz&nbsp;&raquo;<\/em><\/strong>, &#339;uvre finale de l&#8217;artiste dans sa recherche de la forme parfaite, est le summum de l&#8217;expression plastique simplifi&eacute;e &agrave; son extr&ecirc;me. La cath&eacute;drale est repr&eacute;sent&eacute;e dans sa forme la plus marquante &#8212;&nbsp;sa fl&egrave;che qui se dresse fi&egrave;rement vers le ciel &#8212;&nbsp;dans une blancheur pieuse qui rappelle la puret&eacute; virginale de la Sainte-&Eacute;glise. L&#8217;utilisation d&#8217;un seul et unique &eacute;l&eacute;ment est un hommage aux membres des corporations qui, au Moyen-\u00c2ge, investissaient leurs vies enti&egrave;res dans l&#8217;accomplissement d&#8217;un but unique : celui de mener haut, toujours plus haut un bijou de l&#8217;art gothique. La forme de l&#8217;ensemble, qui n&#8217;est pas sans rappeler celle d&#8217;une touillette, est &eacute;galement un hommage au travail quotidien dont&#8230; tiens le chef vient de passer la porte on va peut-&ecirc;tre se mettre &agrave; bosser passez une bonne journ&eacute;e salut.<\/p>\n<p style=\"text-align:right\">&#338;uvre unique, 1&nbsp;504&nbsp;&#8364;, frais de port inclus. <\/p>\n<div id=\"bandeson\">\n<p><strong>Bande-son<\/strong>:&nbsp;<a href=\"http:\/\/www.schirmer.com\/composers\/barber_bio.html\" target=\"_blank\">Samuel Barber <\/a>&#8211; <em>Adagio pour cordes<\/em><\/p>\n<\/div>\n<p>_____<\/p>\n<div id=\"bas_note\">\n<p><sup>1<\/sup> Allez, allez, allez.<\/p>\n<p><sup>2<\/sup> Allez, allez, allez.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&laquo;&nbsp;Cath&eacute;drale St-&Eacute;tienne1 de Metz&nbsp;&raquo; (2005) &#8211; Sculpture en une touillette polypropyl&egrave;ne non ench&acirc;ss&eacute;e &agrave; la main, pr&eacute;sent&eacute;e ici avec l&rsquo;aimable autorisation du MAPM (Mus&eacute;e d&rsquo;Art en Plastique Moderne) des Hauts-de-Seine. &laquo;&nbsp;St-&Eacute;tienne2 de Metz&nbsp;&raquo;, &#339;uvre finale de l&#8217;artiste dans sa recherche de la forme parfaite, est le summum de l&#8217;expression plastique simplifi&eacute;e &agrave; son extr&ecirc;me. La&hellip;<\/p>\n","protected":false},"author":1,"featured_media":24203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[1328,10145,157,132,417,143,1327,1326],"class_list":["post-263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dpc","tag-adagio-pour-cordes","tag-bureau","tag-ef-50-mm-f18-ii","tag-eos-20d","tag-cathedrale-saint-etienne","tag-noir-et-blanc","tag-samuel-barber","tag-touillette"],"acf":[],"geo":null,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200511241.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-4f","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":264,"url":"https:\/\/www.wallendorff.com\/belogue\/2005\/11\/22\/art-work-1\/","url_meta":{"origin":263,"position":0},"title":"Art[@]work #1.","author":"dpc","date":"22 novembre 2005","format":false,"excerpt":"\u00ab\u00a0Travailla la cha\u00eene\u00a0\u00bb (2005) \u2014 \u0152uvre en 59 touillettes polypropyl\u00e8ne ench\u00e2ss\u00e9es \u00e0 la main, pr\u00e9sent\u00e9e ici avec l'aimable autorisation du MAPM (Mus\u00e9e d'Art en Plastique Moderne) des Hauts-de-Seine. \u00ab\u00a0Travailla la cha\u00eene\u00a0\u00bb est pour l'artiste l'expression ultime de sa sensation d'embo\u00eeter, jour apr\u00e8s jour, des journ\u00e9es enti\u00e8re d'un travail m\u00e9ticuleux, d\u00e9vou\u00e9,\u2026","rel":"","context":"Dans &quot;DPC&quot;","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200511221.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200511221.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200511221.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":114,"url":"https:\/\/www.wallendorff.com\/belogue\/2005\/11\/23\/art-work-2\/","url_meta":{"origin":263,"position":1},"title":"Art[@]Work #2.","author":"dpc","date":"23 novembre 2005","format":false,"excerpt":"\u00ab\u00a0Consucr'tion\u00a0\u00bb (2005) \u2015 Sculpture en 18 touillettes polypropyl\u00e8ne ench\u00e2ss\u00e9es \u00e0 la main, pr\u00e9sent\u00e9e ici avec l'aimable autorisation du MAPM (Mus\u00e9e d'Art en Plastique Moderne) des Hauts-de-Seine. \u00ab\u00a0Consucr'tion\u00a0\u00bb est une \u00e9tape d\u00e9cisive dans l'expression artistique de l'artiste\u00a0; il est pass\u00e9 d'une composition plate, terne, r\u00e9p\u00e9titive et monotone \u00e0 un feu d'artifice\u2026","rel":"","context":"Dans &quot;DPC&quot;","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200511231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200511231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200511231.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":127021,"url":"https:\/\/www.wallendorff.com\/belogue\/2023\/12\/31\/2023\/","url_meta":{"origin":263,"position":2},"title":"2023.","author":"dpc","date":"31 d\u00e9cembre 2023","format":false,"excerpt":"Metz, 27 d\u00e9cembre 2023. Into the wide #286 The years go by so fast, Let's hope the next beats the last. [Les pr\u00e9c\u00e9dentes l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0 et l\u00e0\u2026","rel":"","context":"Dans &quot;Into the wide&quot;","block_context":{"text":"Into the wide","link":"https:\/\/www.wallendorff.com\/belogue\/category\/into-the-wide\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/12\/20231231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/12\/20231231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/12\/20231231.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/12\/20231231.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/12\/20231231.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":131991,"url":"https:\/\/www.wallendorff.com\/belogue\/2025\/03\/26\/metz-de-noel\/","url_meta":{"origin":263,"position":3},"title":"Metz de No\u00ebl.","author":"dpc","date":"26 mars 2025","format":false,"excerpt":"","rel":"","context":"Dans &quot;DPC&quot;","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2025\/03\/20250326-04.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2025\/03\/20250326-04.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2025\/03\/20250326-04.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2025\/03\/20250326-04.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":127695,"url":"https:\/\/www.wallendorff.com\/belogue\/2024\/04\/14\/suivre-la-fleche-1-3-reference\/","url_meta":{"origin":263,"position":4},"title":"Suivre la fl\u00e8che [1\/3] : R\u00e9f\u00e9rence.","author":"dpc","date":"14 avril 2024","format":false,"excerpt":"Voil\u00e0 5 ans, la fl\u00e8che s\u2019effondrait, emportant quelques-unes de nos certitudes.Voil\u00e0 5 ans, l\u2019incendie laissait un trou b\u00e9ant \u00e0 la place de l\u2019un des plus anciens, des plus classiques point de r\u00e9f\u00e9rence du paysage parisien.Voil\u00e0 5 ans commen\u00e7ait la lente recouvrance qui devrait se terminer \u00e0 la fin de l'ann\u00e9e\u2026","rel":"","context":"Dans &quot;DPC&quot;","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240414-01.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240414-01.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240414-01.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240414-01.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2024\/04\/20240414-01.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":118,"url":"https:\/\/www.wallendorff.com\/belogue\/2006\/04\/07\/paix-terree-petessons-dans-un-bateau\/","url_meta":{"origin":263,"position":5},"title":"Paix terr&eacute;e, p&eacute;tessons&sup1; dans un bateau.","author":"dpc","date":"7 avril 2006","format":false,"excerpt":"CMC, 31 mars. \u00catre un gros flemmard \u00e0 court d'id\u00e9e en 2006, c'est faire une note toute neuve en recyclant celles du 7 mars et du 23 novembre. Yeah. \u00a0The Cure \u2013 Why Can't I Be You? _____ 1 \u00ab\u00a0Pa\u00eetessons\u00a0\u00bb est la premi\u00e8re personne du pluriel de l'imp\u00e9ratif pr\u00e9sent du\u2026","rel":"","context":"Dans &quot;DPC&quot;","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200604071.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/comments?post=263"}],"version-history":[{"count":1,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/263\/revisions"}],"predecessor-version":[{"id":18759,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/263\/revisions\/18759"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media\/24203"}],"wp:attachment":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media?parent=263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/categories?post=263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/tags?post=263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}