{"id":20901,"date":"2013-05-13T11:38:29","date_gmt":"2013-05-13T09:38:29","guid":{"rendered":"http:\/\/www.wallendorff.com\/?p=20901"},"modified":"2014-06-23T12:43:28","modified_gmt":"2014-06-23T10:43:28","slug":"the-first-ten-years-2","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2013\/05\/13\/the-first-ten-years-2\/","title":{"rendered":"The First Ten Years"},"content":{"rendered":"
\n

<\/p>\n<\/div>\n

[Version française par ici<\/a><\/span>.]<\/p>\n

I got my first photo pass on April 23rd<\/sup>, 2003. The Printemps de Bourges festival. For my school’s newspaper. Two days spent in sleeping in my car and roaming from venue to venue, a borrowed point-and-shoot camera in hand, striving to get a not too blurry picture. Then, the Eurockéennes festival happened two months later. I began doing “regular” concerts during the following winter, and ever since I have not really stopped (at least one pass per month in 120 out of the past 121 months, including 97 in a row since April 2005, and counting).<\/p>\n

When I noticed that the tenth anniversary was around the corner, I was hesitant about what to do with it (even too hesitant, as here we are now, 18 days late on the actual date). I had already done a photographic retrospective last year to mark my 501 first concerts<\/a>. This time I thought about Excel, but doing Excel stuff can be seen as way too geeky. Then Kmeron broke the taboo with his 4th<\/sup>-anniversary post<\/a>. This statistical question was the first thing we talked about when we first met during Black Rebel Motorcycle Club’s show at l’Ancienne Belgique, last month. The two nerds talking about numbers in the middle of the show with cameras hanging around their necks… well that was us. Suddenly, I was not the only photographer on earth who saw Excel like a video game. It was like a rebirth.<\/p>\n

So I began to work on Excel on the next day. A lot of Excel. Enough Excel to forget about the artistical side of the decade. Which is not that dramatic, as that side had been studied last year. If you missed it, you should definitely give it a look<\/a>. You will find below beautiful infographics, a couple of memorable pieces and the complete ― and horribly long ― list of the bands I shot during the first 3,653 days and nights of concert photography that I lived from April 25th<\/sup>, 2003 to April 24th<\/sup>, 2013.<\/p>\n

Thanks to all who helped and trusted me through the years. Thanks to those closest to me, thanks to the chief editors, thanks to the PRs, thanks to the labels, thanks to the festivals, thanks to the artists. I keep all of your names in mind. No need for Excel to remember what I owe you.é<\/p>\n

Numbers, Lots of Numbers, Plenty of Numbers<\/h1>\n
\n

<\/a><\/p>\n

[click to enlarge<\/a>]<\/p>\n<\/div>\n

Selected Pieces<\/h1>\n
\n

Placebo<\/span>
\n Palais omnisports de Paris-Bercy, October 2nd<\/sup>, 2006<\/a><\/h3>\n

First pictures at Bercy. Meeting at door 32, coming in, 3 songs without flash, everybody gets out. I am the last one, being too slow while storing my stuff in my bag ― I am always too slow when it comes about storing my stuff in my bag ― and I exit the building after everybody, so long after that the PR guy has forgotten to get the photo pass back, as requested by the management. I am the only dude to leave with my pass in hand that night. A souvenir for the newbie.<\/p>\n<\/div>\n

\n

Franz Ferdinand<\/span>
\n Clutch Cargo’s, Pontiac, May 3rd<\/sup>, 2009<\/a><\/h3>\n

I say “good evening” and that I am on the list with two tickets and a photo pass. She answers that I have indeed two tickets, hands them to me and tells me to enjoy the show. I kindly repeat that there is also a photo pass. She replies that it is not written on the list. I ask her to call the tour manager. She refuses, saying that she cannot. I tell her that is it fine and that I will wait here until a solution is found. She shrugs, rolls here eyes and call the tour manager. Who turns out to be a girl. A French one. A super-nice one. She takes me to the church’s basement, leaves me for 5 minutes and comes back with the photopass and a big smile. Which shows that the Frenchs are not always<\/em> the unpleasant ones.<\/p>\n<\/div>\n

\n

Black Rebel Motorcycle Club<\/span>
\n Le Bataclan, Paris, May 12th<\/sup>, 2010<\/a><\/h3>\n

Mathieu hails me as soon as I step in the Bataclan and tells me “I kept a special one just for you”. He then hands me, instead of a photo pass, a brand new All Access one, in exchange of the promise that I will not use it to go backstage to take a shower with Robert. Then the wild night that it was… goes on. Thanks, Mathieu. You rock, Mathieu.<\/p>\n<\/div>\n

\n

PJ Harvey<\/span>
\n State Theater, Detroit, October 14th<\/sup>, 2004<\/a><\/h3>\n

“You are no on the list”, says he. I ask for the tour manager. He tells me to go and knock at the back door, behind the building, in the alley. I go. I knock. The door opens. I ask for the tour manager. He is a big, tough, not-happy-at-all Australian who tells me that sorry but no, I am not on the list. I say yes, I am. He says he prepares the lists himself, that there is never any mistake on the list and that if I am not on the list, then I am not on the list. I ask him to check the list. He says he will and slams the door at my face. 7 minutes go by, after which he reopens the door, gives me the enveloppe, grumbles “mbrrrre you go” and slams the door at my face again, but more violently.<\/p>\n<\/div>\n

\n

Editors<\/span>
\n L’Olympia, Paris, April 29th<\/sup>, 2010<\/a><\/h3>\n

Or “that band I was not allowed to shoot because I had two passes instead of one”. A must-see. Still unexplained.<\/p>\n<\/div>\n

\n

Interpol<\/span>
\n Le Zénith, Paris, April 21st<\/sup>, 2005<\/a><\/h3>\n

Stuck for years on my fridge (which gave it this nice UV-washed tint), before entering my hall of fame. Because it was my first real pass in France, because Interpol and because, pfew, that evening ended well.<\/p>\n<\/div>\n

\n

The White Stripes<\/span>
\n Le Zénith, Paris, June 11th<\/sup>, 2007<\/a><\/h3>\n

It is a xerox copy of the original. Editor in Chief accepted to let me replace him to shoot the show, but only in exchange of the photo pass itself. I was fine with that as I was sure to shoot them eventually on the next tour. Which, obvsiouly, never happened.<\/p><\/div>\n

\n

Interpol<\/span>
\n Le Trabendo, Paris, September 17th<\/sup>, 2010<\/a><\/h3>\n

This one has been on my wall for two and a half years, now, and I still wonder every day why it has “gay” written on it.<\/p>\n<\/div>\n

\n

Muse<\/span>
\n Stade de France, Saint-Denis, June 12th<\/sup>, 2010<\/a><\/h3>\n

Got it back thanks to the communication executive of the stadium, who mailed them to us after taking them back when we left the pit (again, by management’s request). My second stadium after Coldplay’s parc des Princes. Not a big memory, though, as we had to spend 2 h locked in the basement, waiting for a mere 10 min of shooting way too far from the stage.<\/p>\n<\/div>\n

\n

Printemps de Bourges<\/span>
\n April 25th<\/sup> – 27th<\/sup>, 2003<\/h3>\n

The very first one. With a copy of my ID card as photograph, because the one I had mailed them got lost. It gives it a not-that-rock-and-roll look, I agree.<\/p>\n<\/div>\n

\n

Black Rebel Motorcycle Club<\/span>
\n Le Trianon, Paris, March 15th<\/sup>, 2013<\/a><\/h3>\n

I think everything was said<\/a> about this one. Thank you, Paula.<\/p>\n<\/div>\n

\n

Cold War Kids<\/span>
\n Le Bataclan, Paris, April 24th<\/sup>, 2013<\/a><\/h3>\n

The last one to date, 3,653 days later.<\/p>\n<\/div>\n

\n

Scissor Sisters<\/span>
\n Majestic Theater, Detroit, January 18th<\/sup>, 2005<\/a><\/h3>\n

It is – 17 °C when I exit the Majestic (true story<\/a>). I get in the car, freezing, and stick the pass on the dashboard. One month later, I remove it and stick it to my wallet, from which it has not moved ever since. Clearly the one I see the most often.<\/p>\n<\/div>\n

And the comprehensive list<\/h1>\n

… of the 599 artists I shot. Only 79 (13.18%) of them where shot more than twice. Enjoy the scrolling. <\/p>\n

(1: As an opening act; F: during a festival)<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n\n
2003<\/strong><\/div>\n<\/td>\n
\n
04<\/strong><\/div>\n<\/td>\n
\n
05<\/strong><\/div>\n<\/td>\n
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06<\/strong><\/div>\n<\/td>\n
\n
07<\/strong><\/div>\n<\/td>\n
\n
08<\/strong><\/div>\n<\/td>\n
\n
09<\/strong><\/div>\n<\/td>\n
\n
10<\/strong><\/div>\n<\/td>\n
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11<\/strong><\/div>\n<\/td>\n
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12<\/strong><\/div>\n<\/td>\n
\n
13<\/strong><\/div>\n<\/td>\n
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Total<\/strong><\/div>\n<\/td>\n
\n
1<\/strong><\/div>\n<\/td>\n
\n
F<\/strong><\/div>\n<\/td>\n<\/tr>\n
1 –<\/td>\nMademoiselle K<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n4<\/td>\n5<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n11<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
2 –<\/td>\nBlack Rebel Motorcycle Club<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n3<\/td>\n9<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Muse<\/td>\n<\/td>\n4<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n9<\/td>\n<\/td>\n3<\/td>\n<\/tr>\n
4 –<\/td>\nDionysos<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n4<\/td>\n<\/td>\n8<\/td>\n<\/td>\n5<\/td>\n<\/tr>\n
Elista<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n2<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n8<\/td>\n1<\/td>\n2<\/td>\n<\/tr>\n
Gossip<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n4<\/td>\n<\/td>\n2<\/td>\n<\/td>\n8<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Wombats<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n<\/td>\n8<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
8 –<\/td>\nEditors<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n7<\/td>\n<\/td>\n3<\/td>\n<\/tr>\n
Kasabian<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n3<\/td>\n1<\/td>\n<\/td>\n7<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
10 –<\/td>\nArcade Fire<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n6<\/td>\n<\/td>\n4<\/td>\n<\/tr>\n
Franz Ferdinand<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n6<\/td>\n<\/td>\n3<\/td>\n<\/tr>\n
I’m from Barcelona<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n6<\/td>\n1<\/td>\n2<\/td>\n<\/tr>\n
Interpol<\/td>\n<\/td>\n2<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n6<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Joy Formidable<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n1<\/td>\n2<\/td>\n6<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
Nada Surf<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n6<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Subways<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n6<\/td>\n1<\/td>\n2<\/td>\n<\/tr>\n
17 –<\/td>\nThe Black Box Revelation<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n5<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
Bloc Party<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Blood Red Shoes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cold War Kids<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n5<\/td>\n<\/td>\n4<\/td>\n<\/tr>\n
Flogging Molly<\/td>\n1<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n5<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
KillerPilze<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n5<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Kills<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n5<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
24 –<\/td>\nArchive<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n4<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Bat for Lashes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n4<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Bewitched Hands<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n4<\/td>\n1<\/td>\n2<\/td>\n<\/tr>\n
Blanche<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n4<\/td>\n1<\/td>\n3<\/td>\n<\/tr>\n
The Datsuns<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n4<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Eagles of Death Metal<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n4<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Florence and the Machine<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/td>\n4<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Klaxons<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n4<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Mark Lanegan<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n4<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Linkin Park<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n4<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Peter Björn and John<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n4<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Rapture<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n4<\/td>\n<\/td>\n3<\/td>\n<\/tr>\n
Stuck in the Sound<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n4<\/td>\n<\/td>\n4<\/td>\n<\/tr>\n
37 –<\/td>\nArctic Monkeys<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Asteroids Galaxy Tour<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n3<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Astonvilla<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
BB Brunes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The BellRays<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Brendan Benson<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Black Angels<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n3<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Black Keys<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Boy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Isobel Campbell<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Dandy Warhols<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Dead Weather<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Dirtbombs<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Dø<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Foster the People<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Ghinzu<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
PJ Harvey<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Sophie Hunger<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Hushpuppies<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
iLiS<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
I Love UFO<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n2<\/td>\n1<\/td>\n<\/tr>\n
Ben Kweller<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
-M-<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Maxïmo Park<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mystery Jets<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n3<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
Narrow Terrence<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
The National<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Of Monsters and Men<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Other Lives<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n3<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
The Paybacks<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
Placebo<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Pleymo<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Radiohead<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n3<\/td>\n<\/tr>\n
Shaka Ponk<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n3<\/td>\n<\/td>\n3<\/td>\n<\/tr>\n
The Sights<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n1<\/td>\n2<\/td>\n<\/tr>\n
Skip the Use<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n3<\/td>\n<\/td>\n3<\/td>\n<\/tr>\n
Stereophonics<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
TV on the Radio<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n1<\/td>\n2<\/td>\n<\/tr>\n
Two Gallants<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Vegastar<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
Tom Vek<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Von Bondies<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Yeah Yeah Yeahs<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n3<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
80 –<\/td>\nAqME<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Archie Bronson Outfit<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
Ólöf Arnalds<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Asyl<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Avatars<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
Band of Skulls<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Paul Banks<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Beady Eye<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Big Pink<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Black Lips<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Brigitte<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The John Butler Trio<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Cake<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Calexico<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Camille<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Coldplay<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Gaz Coombes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Cure<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Deportivo<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Julien Doré<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dresden Dolls<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Duke Spirit<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Enhancer<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Fiery Furnaces<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Film<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Fingerless<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Fleet Foxes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Noel Gallagher<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Garbage<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Good Charlotte<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Green Day<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Greenshape<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
Handsome Furs<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Hard-Fi<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Horrors<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
I Am Kloot<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Incubus<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Iron Maiden<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jet<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Just Jack<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Miles Kane<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
The Killers<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Kings of Leon<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Kooks<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
K’s Choice<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Lads<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Larval<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Little Barrie<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Louis XIV<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Malibu Stacy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Metronomy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
METZ<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mika<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Moby<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mogwai<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Mumford & Sons<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
My Chemical Romance<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
My Little Cheap Dictaphone<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Noisettes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
Pearl Jam<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Phoenix<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Pixies<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Queens of the Stone Age<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Raconteurs<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Rambling Wheels<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Damien Rice<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Olivia Ruiz<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Script<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Secret Machines<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sharko<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Shout Out Louds<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sigur Rós<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Émilie Simon<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Sirens<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
Sleigh Bells<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sliimy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Snow Patrol<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Sold Out<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Sons & Daughters<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Stars<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
Selah Sue<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Tellers<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Temper Trap<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
Tété<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Ting Tings<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Two Door Cinema Club<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Used<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Vampire Weekend<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Peter Von Poehl<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Les Wampas<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
The Warlocks<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alex Winston<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Charlie Winston<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n2<\/td>\n<\/tr>\n
Wolfmother<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Yoav<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
Young Gods<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n2<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
James Yuill<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n2<\/td>\n2<\/td>\n<\/td>\n<\/tr>\n
Zita Swoon<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n2<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
178 –<\/td>\nAnna Aaron<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Air<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Airborne Toxic Event<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Airnadette<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Air Traffic<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Alberta Cross<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Alien Ant Farm<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The All Night Push<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Alt-J<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Anaïs<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
…And you Will Know Us By the Trail of Dead<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Les Anges<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Animal Collective<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Annette et Mathi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Answer<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Apocalyptica<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Aqua Nebula Oscillator<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Arid<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
AS Dragon<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Ash<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Richard Ashcroft<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Melissa Auf der Maur<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
D’Austerlitz<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Austra<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Avenged Sevenfold<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Avi Buffalo<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Baby Monster<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Babyshambles<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Baden Baden<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Bad Lieutenant<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Battles<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Beat Assailant<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Beatsteacks<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Beat Torrent<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Beck<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Louis Bertignac<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Besnard Lakes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Be Your Own Pet<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Biffy Clyro<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bikini Machine<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Black Lion Genocide<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Blakes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Blitzen Trapper<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Jon Spencer Blues Explosion<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Bombay Bicycle Club<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Bony King of Nowhere<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Boogers<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Born Ruffians<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Charlie Boyer & the Voyeurs<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bright Eyes<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Broken Records<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ane Brun<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Buck 65<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jake Bugg<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bullets for My Valentine<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Cali<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Los Campesinos!<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Julian Casablancas<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Cat Power<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Chaos Am Re<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Chase<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Chemical Brothers<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Eagle-Eye Cherry<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Chew Lips<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Chin Chin<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Chinese Man<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Adam Cohen<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Edwyn Collins<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Coming Soon<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Control<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Control Control<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Converge<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Coral<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Coronas<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Marion Corralès<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Crackity Flynn<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Creature with the Atom Brain<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Cribs<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Cypress Hill<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Dag for Dag<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Daisybox<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dananananaykroyd<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Daniel Darc<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Darko<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Howie Day<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Death in Vegas<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Décibelles<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Deerhoof<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Deftones<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Delphic<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Kelly De Martino<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Olivier Depardon<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Desert Sessions<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Detroit Cobras<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Devotchka<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Digitalism<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Dinosaur Jr.<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Dirty Americans<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Dirty Pretty Things<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
10lec6<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
DKT-MC5<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Dodoz<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Peter Doherty<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Drou & the Candy Kid<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Dungen<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ebony Bones<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Eels<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Eisley<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Elbow<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Elderberries<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Electric Guest<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Electric Six<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Elmer Food Beat<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Eths<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Exeunt<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Exit<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Faint<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Faith No More<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Final Fantasy<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Five o’Clock Heroes<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Fixers<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Flaming Lips<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Flexa Lyndo<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
For My Hybrid<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Josephine Foster<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Frames<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Fratellis<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Fray<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Funeral for a Friend<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Funeral Party<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Funeral Suits<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Dave Gahan<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mohini Geisweiller<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
General Fiasco<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Get Well Soon<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Giedré<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Givers<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Glamour of the Kill<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Glasvegas<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Gliss<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Glow<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Gogol Bordello<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Gojira<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Gomez<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
José González<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Good Natured<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Good, the Bad & the Queen<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Gore Gore Girls<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Gories<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Go<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Grandaddy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Granville<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Macy Gray<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Great Mountain Fire<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Gribz<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Grimes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Grinderman<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Groundation<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Grouplove<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Guillemots<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pierre Guimard<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Gush<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Sylvia Hanschneckenbühl<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Harlem<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ben Harper<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mick Harvey<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Hatebreed<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Taylor Hawkins & The Coattail Riders<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Sean Hayes<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Head and the Heart<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Heavy Trash<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Hellbats<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Herman Düne<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Hey Hey My My<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Tyler Hilton<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Hives<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Hold Steady<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Hold Your Horses!<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Jolie Holland<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Holy Fire<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Hoosiers<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Hopper<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Ben Howard<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
I Blame Coco<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Icarus Line<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
I Heart Hiroshima<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
I Like Trains<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Imany<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
I’m in You<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Im Takt<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Indians<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Indochine<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The International Noise Conspiracy<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Isaac Delusion<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Is Tropical<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Izia<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Jackdaw4<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Jack of Heart<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Jamiroquai<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Jezabels<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jil Is Lucky<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Jimmy Eat World<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Joensuu 1685<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
John & Jehn<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Keziah Jones<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Jude<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Gary Jules<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Juliette & the Licks<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Junip<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Damien Jurado<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Kaiser Chiefs<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Kaolin<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Kas Product<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Philippe Katerine<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Keane<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Keren Ann<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Wiz Khalifa<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Phoebe Killdeer<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Kill It Kid<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Kinbeats<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
King Charles<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Kinky<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Korn<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Koudlam<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Audra Kubrat<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Lanskies<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Ben Lee<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ted Leo and the Pharmacists<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Less Than Jake<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Pop Levi<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Liars<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Libertines<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jamie Lidell<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Like<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Lily Wood and the Prick<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Limp Bizkit<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Living Things<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Theophilus London<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Lost Novel<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Love Amongst Ruin<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Ludger<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
LYS<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
M83<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mad River<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
MAI<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bruno Mars<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Bernie Marsden<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Mars Volta<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Marylin<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Willy Mason<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Mass Hysteria<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Massive Attack<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Scott Matthew<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Robin McKelle<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mclusky<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tom McRae<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mechanical Bride<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Menomena<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Men<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Mesparrow<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Metric<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Metro Station<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
MGMT<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mickey 3D<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Midnight Juggernauts<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Miss Li<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Mondo Diao<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Montgomery<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Morrissey<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Mugison<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
My Vitriol<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Naast<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Nadeah<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Naive New Beaters<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Kate Nash<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Night Riders<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
No Age<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Noah and the Whale<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
No Warning<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Obits<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oblivians<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oh Land<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Oh Othello<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Organ<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Pack A.D.<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Pains of Being Pure at Heart<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Panic! at the Disco<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Panico<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Parisians<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Parlotones<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Passion Pit<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Josh T. Pearson<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Peggy Sue<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Pelican<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Julian Perretta<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Phantom Planet<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Pierces<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
An Pierlé<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Pigeons Detectives<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Pink Mountaintops<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Pipettes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
+44<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Polarsets<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Polysics<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Ponys<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Portishead<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Le Prince Miiaou<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Priscillas<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Prodigy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Prohom<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Oxmo Puccino<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Puggy<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Puppetmastaz<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Quidam<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Radio 4<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Raveonettes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Razorlight<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Real Estate<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Catherine Ringer<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
DJ Riot<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Rise to Remain<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Rita Mitsouko<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Ritch Kids<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Rock n’Roll<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Rodrigo y Gabriela<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Rouler Pinder<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
La Roux<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Matthew Ryan<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Sad Day for Puppets<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Joe Satriani<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Saturday Looks Good to Me<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Scissor Sisters<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
S.C.U.M<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Sebmartel<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Sefyu<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Servant<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Kool Shen<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
She Wants Revenge<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Shins<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Silvertide<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Simple Minds<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Skunk Anansie<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Slipknot<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Smashing Pumpkins<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Snoop Dogg<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Soap and Skin<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Soft Pack<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Soko<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Sounds<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Sparta<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Specials<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Spector<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Staind<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Joey Starr<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Stellardrive<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Stellastarr*<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Angus & Julia Stone<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Stoned Popes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Stone Throw Label<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Stooges<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Streets<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Strokes<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Subway<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Sugar Plum Fairy pr.<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Sum 41<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Supergrass<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Taking Back Sunday<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Tarmac<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Tatianas<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Cléo T<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Tedeschi Trucks Band<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Temples<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Texas<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Them Crooked Vultures<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
30 Seconds to Mars<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Teddy Thompson<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Thrills<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Yann Tiersen<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Tiny Masters of Today<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Toad the Wet Sprocket<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tokyo Sex Destruction<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Tokyo Ska Paradise Orchestra<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Torche<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
La Tordue<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Emiliana Torrini<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Trevor Moss & Hannah-Lou<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Tricky<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Triggerfinger<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Trivium<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Tweak Bird<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The Unicorns<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
UNKLE<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Valentinos<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Sharon Van Etten<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Vecchi e Brotti<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Constance Verluca<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Troy Von Balthazar<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Martha Wainwright<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
The Walkmen<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Wallace Vanborn<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
David Walters<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Warpaint<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Patrick Watson<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Weakerthans<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
We Are Enfant Terrible<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Jason Webley<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Caroline Weeks<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
We Were Promised Jetpacks<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
White Lies<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The White Stripes<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Wolf Parade<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Adam Wood<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Woodpigeon<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Charlie XCX<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
The xx<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Yodélice<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
The Yolks<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Pete Yorn<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
You and You<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n1<\/td>\n<\/td>\n<\/tr>\n
Hindi Zahra<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Zone Libre<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n
Zulu Winter<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/td>\n1<\/td>\n<\/tr>\n<\/table>\n\n\n\n\n\n\n
 <\/td>\n2003<\/strong><\/td>\n2004<\/strong><\/td>\n2005<\/strong><\/td>\n2006<\/strong><\/td>\n2007<\/strong><\/td>\n2008<\/strong><\/td>\n2009<\/strong><\/td>\n2010<\/strong><\/td>\n2011<\/strong><\/td>\n2012<\/strong><\/td>\n2013<\/strong><\/td>\nTotal<\/strong><\/td>\n1<\/strong><\/td>\nF<\/strong><\/td>\n<\/tr>\n
\n
Passes<\/div>\n<\/td>\n
5<\/td>\n43<\/td>\n22<\/td>\n48<\/td>\n54<\/td>\n52<\/td>\n57<\/td>\n65<\/td>\n58<\/td>\n49<\/td>\n19<\/td>\n472<\/strong><\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\n
Concerts<\/div>\n<\/td>\n
11<\/td>\n53<\/td>\n33<\/td>\n62<\/td>\n62<\/td>\n57<\/td>\n65<\/td>\n66<\/td>\n67<\/td>\n58<\/td>\n20<\/td>\n554<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\n
Artists total<\/div>\n<\/td>\n
16<\/td>\n85<\/td>\n44<\/td>\n70<\/td>\n86<\/td>\n67<\/td>\n115<\/td>\n97<\/td>\n105<\/td>\n115<\/td>\n18<\/td>\n818<\/strong><\/td>\n<\/td>\n<\/td>\n<\/tr>\n
\n
Shootings total<\/div>\n<\/td>\n
16<\/td>\n106<\/td>\n49<\/td>\n82<\/td>\n106<\/td>\n84<\/td>\n127<\/td>\n105<\/td>\n116<\/td>\n139<\/td>\n21<\/td>\n951<\/strong><\/td>\n175<\/td>\n366<\/td>\n<\/tr>\n<\/table>\n

Hey wait, there is a DVD bonus<\/h1>\n

Because one that goes to the deep end of things must be rewarded, Atlas Éditions<\/strong> is proud to give you, who shown determination AND finger strength, the first items of your own personal photo passes collection:<\/p>\n

\n

<\/p>\n<\/div>\n

Instructions:<\/h2>\n
    \n
  1. Print.<\/li>\n
  2. Cut.<\/li>\n
  3. Fill.<\/li>\n
  4. Paste your picture (if needed).<\/li>\n
  5. Laminate.<\/li>\n
  6. Exhibit.<\/li>\n<\/ol>\n

    Those four photo passes come from the collection Historical photo passes and memorable accreditations of rock et roll<\/strong><\/em>, available at every good newspaper booth from May 14th<\/sup>. This week, issue number 1 (the booklet + a Christophe Maé necklace + an authentic hald-burnt photo pass from Woodstock 1999<\/a> ― the one with the riots) is available for 1 €<\/strong> only.<\/p>\n

    [PS: I would like to publically thank Iron Maiden for not having noticed yet that I stole the title of their EP series<\/a>.]<\/p>\n

    [PPS: the artwork of the dancing tea of Catenoy (more information there<\/a>) comes from 160 millions de graphistes<\/a>.]<\/p>\n","protected":false},"excerpt":{"rendered":"

    [Version française par ici.] I got my first photo pass on April 23rd, 2003. The Printemps de Bourges festival. For my school’s newspaper. Two days spent in sleeping in my car and roaming from venue to venue, a borrowed point-and-shoot camera in hand, striving to get a not too blurry picture. Then, the Eurockéennes festival…<\/p>\n","protected":false},"author":1,"featured_media":26596,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[10131,11429],"class_list":["post-20901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alive","tag-anniversaire","tag-passe-photo"],"acf":[],"geo":null,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201305133.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-5r7","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28281,"url":"https:\/\/www.wallendorff.com\/belogue\/2015\/07\/29\/paleo-festival-2015-jour-1\/","url_meta":{"origin":20901,"position":0},"title":"Pal\u00e9o Festival 2015, jour 1.","author":"dpc","date":"29 juillet 2015","format":false,"excerpt":"On attaque sec, avec un concert d'Explosion de Caca en pleine tourn\u00e9e d'adieu qui viennent avec tout leur panoplie de pistolets \u00e0 eau, de saltimbanques, de d\u00e9guisement et de coiffeurs charg\u00e9s de \u00ab\u00a0raser le public car nous avons promis d'offrir 40\u00a0kg de poils \u00e0 Daniel Rossellat pour la 40e \u00e9dition\u2026","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/07\/20150729-451.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/07\/20150729-451.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/07\/20150729-451.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/07\/20150729-451.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":125178,"url":"https:\/\/www.wallendorff.com\/belogue\/2023\/07\/08\/interpol-jenny-beth-festival-days-off-philharmonie-de-paris-5-juillet-2023\/","url_meta":{"origin":20901,"position":1},"title":"Interpol + Jehnny Beth @ festival Days Off, Philharmonie de Paris, 5 juillet 2023.","author":"dpc","date":"8 juillet 2023","format":false,"excerpt":"Next Exit | Evil | Narc | Take You on a Cruise | Slow Hands | Not Even Jail | Public Pervert | C'mere | Length of Love | A Time to Be So Small || Lights | Obstacle 1 | My Desire | Toni | Pioneer to the Falls\u2026","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/07\/20230708-10.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/07\/20230708-10.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/07\/20230708-10.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/07\/20230708-10.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2023\/07\/20230708-10.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":552,"url":"https:\/\/www.wallendorff.com\/belogue\/2006\/07\/31\/kim-aime-meuhs-suisses\/","url_meta":{"origin":20901,"position":2},"title":"Kim aime meuhs suisses.","author":"dpc","date":"31 juillet 2006","format":false,"excerpt":"Boulevard de Belleville, Paris, 28 juillet. 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