{"id":20242,"date":"2006-01-30T17:31:13","date_gmt":"2006-01-30T15:31:13","guid":{"rendered":"http:\/\/www.wallendorff.com\/?p=20242"},"modified":"2013-01-26T17:32:42","modified_gmt":"2013-01-26T15:32:42","slug":"20242","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2006\/01\/30\/20242\/","title":{"rendered":"Isobel Campbell & Mark Lanegan – Ballad of the Broken Seas"},"content":{"rendered":"\n
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<\/p>\n<\/p><\/div>\n

V2_42’39"_30\/01<\/h3>\n

Enregistré entre Glasgow et Los Angeles avec un minimum d’instruments, ce Ballad of the Broken Seas<\/em> tient plus de l’océan de douceur que de la mer agîtée. Si la patte de Lanegan est omniprésente — acoustique folk à gogo et voix rauque comme on aime — la main d’Isobel Campbell apporte une bonne dose de plus à l’ensemble : quelques violons clairs, un peu d’optimisme et, surtout, un chant<\/em>. Une voix angélique qui se marie on ne peut mieux avec celle enfumée et noyée de whiskey de son comparse. Ces 42 minutes sont comme une autre allégorie de la belle et la bête, après celle du chanteur qui dit tube et du top-model qui titube. On croirait par moment une petite fille qui valse avec son grand-père, en chantant (Do You Wanna Come Walk with Me ?<\/em>) ou en se contentant juste de fredonner (Dusty Wreath<\/em>). Même si la reprise d’Hank Williams, Ramblin’ Man<\/em>, pourrait figurer sans honte sur la BO du prochain Tarantino, le reste du temps c’est plus de rêve éveillé qu’il s’agit (Black Mountain<\/em>, Revolver<\/em>). Ballad of the Broken Seas <\/em>peut rendre l’homme meilleur. Il peut le rendre heureux dans le métro. Il peut même lui faire pardonner son prochain qui vient de lui écraser le pied sans s’excuser. Un disque à déclarer d’utilité publique.<\/p>\n","protected":false},"excerpt":{"rendered":"

V2_42’39"_30\/01 Enregistré entre Glasgow et Los Angeles avec un minimum d’instruments, ce Ballad of the Broken Seas tient plus de l’océan de douceur que de la mer agîtée. Si la patte de Lanegan est omniprésente — acoustique folk à gogo et voix rauque comme on aime — la main d’Isobel Campbell apporte une bonne dose de plus…<\/p>\n","protected":false},"author":1,"featured_media":26474,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7235],"tags":[7242,10362,10363],"class_list":["post-20242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chroniques","tag-ballad-of-the-broken-seas","tag-isobel-campbell","tag-mark-lanegan"],"acf":[],"geo":null,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/20060130-011.jpg","jetpack_shortlink":"https:\/\/wp.me\/s3b35P-20242","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8904,"url":"https:\/\/www.wallendorff.com\/belogue\/2010\/09\/12\/isobel-campbell-mark-lanegan-damien-jurado-willy-mason-le-cafe-de-la-danse-paris\/","url_meta":{"origin":20242,"position":0},"title":"Isobel Campbell & Mark Lanegan + Damien Jurado + Willy Mason @ le Caf\u00e9 de la Danse, Paris.","author":"dpc","date":"12 septembre 2010","format":false,"excerpt":"La formule a \u00e9volu\u00e9 en deux ans. C'est une bonne chose, d'ailleurs, quand on consid\u00e8re ce Sunday at Devil's Dirt qui, en 2008, laissait un arri\u00e8re-go\u00fbt de redite pas vraiment \u00e0 la hauteur de Ballads of the Broken Seas. Sur Hawk, Campbell et Lanegan ont vari\u00e9 les plaisirs, invitant du\u2026","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009121.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009121.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009121.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009121.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":862,"url":"https:\/\/www.wallendorff.com\/belogue\/2006\/12\/29\/2006en-3\/","url_meta":{"origin":20242,"position":1},"title":"2006 en… #3.","author":"dpc","date":"29 d\u00e9cembre 2006","format":false,"excerpt":"Jack White est beau, Rock en Seine, Paris, 25 ao\u00fbt. pr\u00e9sentent 2006 en 10 albums dingues de trop l'\u00e9clate puissante qui fouette Et je ne suis pas une groupie. The Raconteurs \u2013 Broken Boys Soldiers Damien Rice \u2013 9 Placebo \u2013 Meds Secret Machines \u2013 Ten Silver Drops Thom Yorke\u2026","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200612291.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":128,"url":"https:\/\/www.wallendorff.com\/belogue\/2006\/04\/18\/l-orient-tech-s-presse\/","url_meta":{"origin":20242,"position":2},"title":"L’orient-tech s’presse.","author":"dpc","date":"18 avril 2006","format":false,"excerpt":"Place de la Sorbonne, Paris, 9 avril. Et l\u00e0, il nous claque une session acoustique d'Isobel Campbell sans Mark Lanegan, mais avec de vrais [bons] morceaux de Ramblin' Man, de Honey Child What Can I Do? et de Revolver dedans, enrob\u00e9s dans une voix douce comme du satin qui te\u2026","rel":"","context":"Dans "DPC"","block_context":{"text":"DPC","link":"https:\/\/www.wallendorff.com\/belogue\/category\/dpc\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200604181.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3649,"url":"https:\/\/www.wallendorff.com\/belogue\/2008\/12\/04\/isobel-campbell-mark-lanegan-le-trabendo-paris\/","url_meta":{"origin":20242,"position":3},"title":"Isobel Campbell & Mark Lanegan @ le Trabendo, Paris.","author":"dpc","date":"4 d\u00e9cembre 2008","format":false,"excerpt":"Isobel Campbell & Mark Lanegan \u2013 Ramblin' Man (Hank William cover) Le truc le plus dingue \u00e0 retenir de la soir\u00e9e, \u00e7a reste que le Mark Lanegan, il porte les m\u00eames pompes que moi, ce qui montre bien qu'il est rock en 2008. \u00c0 part \u00e7a ce Trabendo aura \u00e9t\u00e9\u2026","rel":"","context":"Dans "Alive"","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812041.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812041.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812041.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812041.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":258,"url":"https:\/\/www.wallendorff.com\/belogue\/2008\/07\/25\/shooting-people-32\/","url_meta":{"origin":20242,"position":4},"title":"Shooting people #32.","author":"dpc","date":"25 juillet 2008","format":false,"excerpt":"\u00ab\u00a0Faire de la photographie c'est provoquer la chance,\u00a0\u00bb dit souvent Juyette. 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