{"id":20188,"date":"2013-01-25T12:04:47","date_gmt":"2013-01-25T10:04:47","guid":{"rendered":"http:\/\/www.wallendorff.com\/?p=20188"},"modified":"2013-02-04T10:31:03","modified_gmt":"2013-02-04T08:31:03","slug":"shooting-people-99","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2013\/01\/25\/shooting-people-99\/","title":{"rendered":"Shooting people #99."},"content":{"rendered":"\n<div id=\"photo\">\n<p><img decoding=\"async\" src=\"https:\/\/www.wallendorff.com\/belogue\/photo\/2013\/01\/20130125.jpg\"><br \/>\n        Le Trabendo, Paris, 5 d&eacute;cembre 2012.<\/p>\n<\/p><\/div>\n<p>Sans les barri&egrave;res de la sc&egrave;ne, le Trabendo 2.0 est un cauchemar pour les photos. Surtout avec un artiste qui chante presque dans le noir. Heureusement, avec Lanegan c&rsquo;est moins probl&eacute;matique, puisqu&rsquo;il reste sto&iuml;que. Lanegan, c&rsquo;est le charisme le plus fig&eacute; que je connaisse. Une pr&eacute;sence monolithique. On l&rsquo;&eacute;coute, on le regarde et on fait comme lui, on ne bouge pas. Lui reste imperturbable, fig&eacute;, les yeux presque toujours clos, le pied coin&ccedil;ant un pied de micro dans lequel les mains ont forc&eacute;ment laiss&eacute; leurs empreintes, &agrave; force de le serrer de la m&ecirc;me mani&egrave;re tous les soirs.<\/p>\n<p>20 minutes &agrave; r&ocirc;der dans la salle. Dans mon jargon personnel, j&rsquo;appelle &ccedil;a &laquo;&nbsp;faire la poule&nbsp;&raquo;. Tu tournes sans but, tu t&rsquo;arr&ecirc;tes l&rsquo;&oelig;il errant, &agrave; la recherche d&rsquo;un angle ou d&rsquo;un d&eacute;tail quelconque, tu fais demi-tour brusquement et tu recommences 2&nbsp;m plus loin. Exactement comme une poule grattant le sol de son poulailler pendant des heures, &agrave; la recherche d&rsquo;un ver de terre.<\/p>\n<p>Je sors <a href=\"https:\/\/www.wallendorff.com\/belogue\/2012\/12\/06\/mark-lanegan-le-trabendo-paris\/\">5 photos<\/a>. Puis tourne encore, &agrave; tout hasard. Et je le vois. Difficile de le louper, &eacute;clair&eacute; comme il est dans le noir de la salle. Imperturbable, pr&eacute;sent sans &ecirc;tre l&agrave;, hier &agrave; Londres, apr&egrave;s-demain &agrave; Madrid mais toujours derri&egrave;re son stand. Mon ver de terre du soir.<\/p>\n<div id=\"bandeson\">\n<p><img decoding=\"async\" src=\"https:\/\/www.wallendorff.com\/belogue\/photo\/pochettes\/l\/lanegan_mark-blues_funeral.jpg\" align=\"left\" \/> <a style=\"font-weight:normal\" id=\"lienmp3\" href=\"http:\/\/www.youtube.com\/watch?v=c5c273viO0Q\"><em>Riot in My House<\/em><\/a><br \/>\n<a href=\"http:\/\/marklanegan.com\/\">Mark Lanegan Band<\/a><\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le Trabendo, Paris, 5 d&eacute;cembre 2012. Sans les barri&egrave;res de la sc&egrave;ne, le Trabendo 2.0 est un cauchemar pour les photos. Surtout avec un artiste qui chante presque dans le noir. Heureusement, avec Lanegan c&rsquo;est moins probl&eacute;matique, puisqu&rsquo;il reste sto&iuml;que. Lanegan, c&rsquo;est le charisme le plus fig&eacute; que je connaisse. Une pr&eacute;sence monolithique. On l&rsquo;&eacute;coute,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":26466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[10268,181,6766,10533,10120,10589,10121,10361,10363,7225,7226,10934,10098,10272,7227,11056,685],"class_list":["post-20188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portraits","tag-10268","tag-ef-70-200-mm-f28l-usm","tag-eos-5d-mark-iii","tag-concert","tag-france","tag-homme","tag-ile-de-france","tag-le-trabendo","tag-mark-lanegan","tag-mark-lanegan-band","tag-merchandising","tag-ordinateur","tag-paris","tag-portrait","tag-riot-in-my-house","tag-stand","tag-t-shirt"],"acf":[],"geo":{"latitude":48.8926849,"longitude":2.3939588,"description":"All\u00e9e du Belv\u00e9d\u00e8re, 75019 Paris, France"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201301251.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-5fC","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3649,"url":"https:\/\/www.wallendorff.com\/belogue\/2008\/12\/04\/isobel-campbell-mark-lanegan-le-trabendo-paris\/","url_meta":{"origin":20188,"position":0},"title":"Isobel Campbell &#038; Mark Lanegan @ le Trabendo, Paris.","author":"dpc","date":"4 d\u00e9cembre 2008","format":false,"excerpt":"Isobel Campbell & Mark Lanegan \u2013 Ramblin' Man (Hank William cover) Le truc le plus dingue \u00e0 retenir de la soir\u00e9e, \u00e7a reste que le Mark Lanegan, il porte les m\u00eames pompes que moi, ce qui montre bien qu'il est rock en 2008. \u00c0 part \u00e7a ce Trabendo aura \u00e9t\u00e9\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812041.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812041.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812041.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200812041.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":19719,"url":"https:\/\/www.wallendorff.com\/belogue\/2012\/12\/06\/mark-lanegan-le-trabendo-paris\/","url_meta":{"origin":20188,"position":1},"title":"Mark Lanegan @ le Trabendo, Paris.","author":"dpc","date":"6 d\u00e9cembre 2012","format":false,"excerpt":"The Gravedigger's Song | Sleep with Me | Hit the City | Wedding Dress | One Way Street | Gray Goes Black | Devil in my Mind (Smoke Fairies) | Harborview Hospital | Quiver Syndrome | One Hundred Days | Creeping Coastline of Lights (Leaving Trains) | Black Rose Way\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201212061.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201212061.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201212061.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201212061.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8904,"url":"https:\/\/www.wallendorff.com\/belogue\/2010\/09\/12\/isobel-campbell-mark-lanegan-damien-jurado-willy-mason-le-cafe-de-la-danse-paris\/","url_meta":{"origin":20188,"position":2},"title":"Isobel Campbell &#038; Mark Lanegan + Damien Jurado + Willy Mason @ le Caf\u00e9 de la Danse, Paris.","author":"dpc","date":"12 septembre 2010","format":false,"excerpt":"La formule a \u00e9volu\u00e9 en deux ans. C'est une bonne chose, d'ailleurs, quand on consid\u00e8re ce Sunday at Devil's Dirt qui, en 2008, laissait un arri\u00e8re-go\u00fbt de redite pas vraiment \u00e0 la hauteur de Ballads of the Broken Seas. Sur Hawk, Campbell et Lanegan ont vari\u00e9 les plaisirs, invitant du\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009121.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009121.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009121.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009121.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6849,"url":"https:\/\/www.wallendorff.com\/belogue\/2010\/02\/22\/mumford-and-sons-mugison-la-maroquinerie-paris\/","url_meta":{"origin":20188,"position":3},"title":"Mumford and Sons + Mugison @ la Maroquinerie, Paris.","author":"dpc","date":"22 f\u00e9vrier 2010","format":false,"excerpt":"\u00a0Flogging Molly \u2013 The Seven Deadly Sins (live) 160\u00a0000 albums vendus au Royaume-Uni et 27 en France, donc fort logiquement la premi\u00e8re date fran\u00e7aise de Mumford and Sons est emplie d'Anglaises enamour\u00e9es \u2015\u00a0curieux pour ce genre de musique\u00a0et de groupe\u00a0\u2015 qui ne jettent pas de bi\u00e8re \u2015\u00a0tr\u00e8s curieux pour ce\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201002221.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201002221.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201002221.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201002221.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4257,"url":"https:\/\/www.wallendorff.com\/belogue\/2009\/06\/03\/maximo-park-i-heart-hiroshima-le-trabendo-paris\/","url_meta":{"origin":20188,"position":4},"title":"Max\u00efmo Park + I Heart Hiroshima @ le Trabendo, Paris.","author":"dpc","date":"3 juin 2009","format":false,"excerpt":"\u00a0White Lies \u2013 To Lose My Life Il faut toujours courir chouter Max\u00efmo Park, parce qu'on est presque s\u00fbr de ressortir de la fosse avec des trucs dans le genre de la photo ci-dessus ou de ces fameuses archives, ici et l\u00e0. Peu importe la salle. \u00c7a marche \u00e0 tous\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200906031.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200906031.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200906031.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200906031.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20242,"url":"https:\/\/www.wallendorff.com\/belogue\/2006\/01\/30\/20242\/","url_meta":{"origin":20188,"position":5},"title":"Isobel Campbell &amp; Mark Lanegan &ndash; Ballad of the Broken Seas","author":"dpc","date":"30 janvier 2006","format":false,"excerpt":"V2_42\u201939\"_30\/01 Enregistr\u00e9 entre Glasgow et Los Angeles avec un minimum d\u2019instruments, ce Ballad of the Broken Seas tient plus de l\u2019oc\u00e9an de douceur que de la mer ag\u00eet\u00e9e. Si la patte de Lanegan est omnipr\u00e9sente \u2014\u00a0acoustique folk \u00e0 gogo et voix rauque comme on aime\u00a0\u2014 la main d\u2019Isobel Campbell apporte\u2026","rel":"","context":"Dans &quot;Chroniques&quot;","block_context":{"text":"Chroniques","link":"https:\/\/www.wallendorff.com\/belogue\/category\/chroniques\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/20188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/comments?post=20188"}],"version-history":[{"count":5,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/20188\/revisions"}],"predecessor-version":[{"id":20378,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/20188\/revisions\/20378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media\/26466"}],"wp:attachment":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media?parent=20188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/categories?post=20188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/tags?post=20188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}