{"id":135,"date":"2006-05-03T09:35:13","date_gmt":"2006-05-03T09:35:13","guid":{"rendered":"http:\/\/www.po-l.com\/wordpress\/?p=135"},"modified":"2013-07-31T19:46:16","modified_gmt":"2013-07-31T17:46:16","slug":"arctic-monkeys-le-bataclan-paris-2-mai-2006","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2006\/05\/03\/arctic-monkeys-le-bataclan-paris-2-mai-2006\/","title":{"rendered":"Arctic Monkeys @ Le Bataclan, Paris, 2 mai 2006."},"content":{"rendered":"\n
\n

<\/p>\n<\/p><\/div>\n

\n

The View from the Afternoon<\/em> | Cigarette Smoker Fiona<\/em> | You Probably Couldn’t See for the Lights But You Were Looking Straight at Me<\/em> | Still Take You Home<\/em> | Who the Fuck Are Arctic Monkeys<\/em> | I Bet You Look Good on the Dancefloor<\/em> | Perhaps Vampires Is a Bit Strong But…<\/em> | Dancing Shoes<\/em> | Leave Before the Light Come on<\/em> | Red Light Indicates Doors Are Secured<\/em> | Mardy Bum<\/em> | Riot Van<\/em> | When the Sun Goes Down<\/em> | Fake Tales of San Francisco<\/em> | From Ritz to the Rubble<\/em> | A Certain Romance<\/em><\/p>\n<\/div>\n

Comme au Trabendo fin f\u00e9vrier, les 4 singes dans le vent jouent en terrain conquis d\u2019avance, devant un Bataclan torride blind\u00e9 de hurleurs en liqu\u00e9faction. D\u00e8s le premier accord de The View From the Afternoon<\/em>, l’hyst\u00e9rie latente de la masse juv\u00e9nile se change en v\u00e9ritable temp\u00eate t-rock-picale avec pogos, chants surexcit\u00e9s et rejets de corps d\u00e9sarticul\u00e9s sur les rives de la sc\u00e8ne \u00e0 la cl\u00e9. De tout le set, il n\u2019y aura de temps morts que pour l\u2019in\u00e9dit Leave Before the Light Come on<\/em> et les tout neufs Cigarette Smoker Fiona<\/em> et Who the Fuck Are Arctic Monkeys<\/em>, tir\u00e9s de l\u2019EP du m\u00eame nom. Sur sc\u00e8ne, les Arctic Monkeys d\u00e9roulent comme \u00e0 l’usine : ils semblent soit d\u00e9j\u00e0 blas\u00e9s, soit toujours intimid\u00e9s par de telles r\u00e9actions. Quoi qu\u2019il en soit, leurs pieds sont au plancher : entre deux marmonnements incompr\u00e9hensibles d\u2019Alex Turner dans son micro et malgr\u00e9 un son crado, les Monkeys crachent des Still Take You Home<\/em> fi\u00e9vreux, des Vampires Are a Bit Strong But…<\/em> endiabl\u00e9s, des Mardy Bum<\/em> scand\u00e9s par l’audience, des When the Sun Goes Out<\/em> explosifs et \u2015 bien entendu \u2015 des I Bet You Look Good on the Dancefloor<\/em> dont on se souviendra longtemps, la foule retournant litt\u00e9ralement la salle. From Ritz to the Rubble<\/em> et A Certain Romance<\/em> terminent la soir\u00e9e avec des roadies slammant dans un public rendu dingue par ce set court mais aux longs \u00e9mois. Exp\u00e9ditifs, Arctic Monkeys ? Peut-\u00eatre. Putain d\u2019efficaces, surtout.<\/p>\n

I bet that you look good on the dancefloor
\n I don’t know if you’re looking for romance or…
\n I don’t know what you’re looking for
\n I bet that you look good on the dancefloor
\n Dancing to electro-pop like a robot from nineteen eighty-four, <\/p>\n

FROM NINETEEN EIGHTY-FOUR! <\/p>\n

\n

 The Chesire Chord Company<\/a> ― I Predict That You’d Look Good in a Riot<\/em><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The View from the Afternoon | Cigarette Smoker Fiona | You Probably Couldn’t See for the Lights But You Were Looking Straight at Me | Still Take You Home | Who the Fuck Are Arctic Monkeys | I Bet You Look Good on the Dancefloor | Perhaps Vampires Is a Bit Strong But… | Dancing…<\/p>\n","protected":false},"author":1,"featured_media":24069,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[174,10183,10084,10367,196,132,10246,10120,1573,10121,10332,143,10098,1572],"class_list":["post-135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alive","tag-174","tag-10183","tag-alive","tag-arctic-monkeys","tag-ef-28-70-mm-f28l-usm","tag-eos-20d","tag-contre-jour","tag-france","tag-i-predict-youd-look-good-in-a-riot","tag-ile-de-france","tag-le-bataclan","tag-noir-et-blanc","tag-paris","tag-the-chesire-chord-company"],"acf":[],"geo":{"latitude":48.8629417,"longitude":2.370445,"description":"1-15 Passage Saint-Pierre Amelot, 75011 Paris, France"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200605031.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-2b","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":637,"url":"https:\/\/www.wallendorff.com\/belogue\/2006\/08\/15\/previously-unreleased-40\/","url_meta":{"origin":135,"position":0},"title":"Previously Unreleased #40¹.","author":"dpc","date":"15 ao\u00fbt 2006","format":false,"excerpt":"Arctic Monkeys, le Bataclan, Paris, 2 mai. \u00a0Peter Bj\u00f6rn and John \u2013 Young Folks","rel":"","context":"Dans "Previously unreleased"","block_context":{"text":"Previously unreleased","link":"https:\/\/www.wallendorff.com\/belogue\/category\/previously-unreleased\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200608151.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":128329,"url":"https:\/\/www.wallendorff.com\/belogue\/2024\/06\/14\/cetait-2006\/","url_meta":{"origin":135,"position":1},"title":"C’\u00e9tait 2006.","author":"dpc","date":"14 juin 2024","format":false,"excerpt":"62 concerts en 2006. \u00c7a explique la nature de la galerie de l'ann\u00e9e. 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