{"id":1170,"date":"2008-02-25T14:04:49","date_gmt":"2008-02-25T14:04:49","guid":{"rendered":"http:\/\/www.po-l.com\/wordpress\/?p=1170"},"modified":"2013-01-27T16:27:01","modified_gmt":"2013-01-27T14:27:01","slug":"jos-gonzlez-la-cigale-paris","status":"publish","type":"post","link":"https:\/\/www.wallendorff.com\/belogue\/2008\/02\/25\/jos-gonzlez-la-cigale-paris\/","title":{"rendered":"Jos\u00e9 Gonz\u00e1lez @ la Cigale, Paris."},"content":{"rendered":"<div id=\"photo\">\n<p><img decoding=\"async\" src=\"https:\/\/www.wallendorff.com\/belogue\/photo\/2008\/02\/20080225.jpg\" \/><\/p>\n<\/div>\n<p>Derri&egrave;re  la premi&egrave;re partie prometteuse &ndash;&nbsp;mais g&acirc;ch&eacute;e par un son de  basse pourri&nbsp;&ndash; de Caribou, Jos&eacute; Gonz&aacute;lez s&rsquo;approprie la  Cigale enti&egrave;re d&egrave;s que le rideau rouge du th&eacute;&acirc;tre s&rsquo;ouvre sur  lui. Assis au milieu de la sc&egrave;ne comme Ben  Harper l&rsquo;aurait fait, le songwriter d&eacute;roule devant une toile de  fond en palmiers blancs, encha&icirc;nant <em>How  Low<\/em> et <em>Hints<\/em> avant de dire bonsoir, comme un rituel. Le silence dans la salle est  religieux. Tout juste la Cigale fr&eacute;mit-elle quand Gonz&aacute;lez en vient  &agrave; sa reprise de l&rsquo;<em>Heartbeats<\/em> de The Knife, ou se permet-elle de taper des mains en rythme sur <em>Lovestain <\/em>&agrave;  l&rsquo;invite du chanteur, &laquo;&nbsp;mais attention, ne vous arr&ecirc;tez pas  au milieu du morceau&nbsp;&raquo;. Le reste du temps, on &eacute;coute les  flocons neigeux de sa voix r&ecirc;veuse tomber un &agrave; un sur la douce  litanie de notes que ses doigts jouent moins qu&rsquo;ils caressent.  D&eacute;connexion. Un concert de Jos&eacute; Gonz&aacute;lez, c&rsquo;est surtout  l&rsquo;assurance de se transporter dans une autre dimension pour la  soir&eacute;e. Au milieu des <em>Down the Line<\/em>, <em>Stay in the Shade <\/em>et <em>All You Deliver<\/em>,  m&ecirc;me ce qu&rsquo;on connaissait avant devient diff&eacute;rent&nbsp;: <em>Hand  on Your Heart<\/em> de Kylie Minogue est  subitement poignant, <em>Teardrop<\/em> de Massive attaque se paie une envergure de cath&eacute;drale et en guise  de final, <em>Love Will Tear Us Apart<\/em> sombre dans une urgence implacable tiss&eacute;e par ce qui semble &ecirc;tre  une centaine de doigts. &laquo;&nbsp;Mais combien ils sont sur sc&egrave;ne&nbsp;?&nbsp;&raquo;  demande mon voisin en sortant. On ne pourrait mieux r&eacute;sumer la  soir&eacute;e.<\/p>\n<div id=\"bandeson\">\n<p><img decoding=\"async\" src=\"https:\/\/www.wallendorff.com\/belogue\/photo\/pochettes\/g\/gonzalez_jose-in_our_nature.jpg\" align=\"left\" \/>&nbsp;<a href=\"http:\/\/www.jose-gonzalez.com\/\">Jos&eacute; Gonz&aacute;lez<\/a> &ndash; <em>Teardrop<\/em> (Massive Attack cover)<\/p>\n<\/div>\n<p>\/Edit&nbsp;: et de <a href=\"http:\/\/www.nme.com\/news\/tabloid-hell\/34640\">lire<\/a>, m&ecirc;me si &ccedil;a n&rsquo;a rien &agrave; voir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Derri&egrave;re la premi&egrave;re partie prometteuse &ndash;&nbsp;mais g&acirc;ch&eacute;e par un son de basse pourri&nbsp;&ndash; de Caribou, Jos&eacute; Gonz&aacute;lez s&rsquo;approprie la Cigale enti&egrave;re d&egrave;s que le rideau rouge du th&eacute;&acirc;tre s&rsquo;ouvre sur lui. Assis au milieu de la sc&egrave;ne comme Ben Harper l&rsquo;aurait fait, le songwriter d&eacute;roule devant une toile de fond en palmiers blancs, encha&icirc;nant How&hellip;<\/p>\n","protected":false},"author":1,"featured_media":25095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[203,10143,10084,4516,181,187,10120,10121,10448,10139,10168,143,10098,364],"class_list":["post-1170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alive","tag-203","tag-10143","tag-alive","tag-boulevard-rochechouart","tag-ef-70-200-mm-f28l-usm","tag-eos-1d-mark-ii","tag-france","tag-ile-de-france","tag-jose-gonzalez","tag-la-cigale","tag-massive-attack","tag-noir-et-blanc","tag-paris","tag-teardrop"],"acf":[],"geo":{"latitude":48.8822441,"longitude":2.340147,"description":"118-126 Boulevard de Rochechouart, 75018 Paris, France"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200802251.jpg","jetpack_shortlink":"https:\/\/wp.me\/p3b35P-iS","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":883,"url":"https:\/\/www.wallendorff.com\/belogue\/2007\/01\/26\/mademoiselle-k-la-cigale-paris\/","url_meta":{"origin":1170,"position":0},"title":"Mademoiselle K @ la Cigale, Paris.","author":"dpc","date":"26 janvier 2007","format":false,"excerpt":"R\u00e9sumons\u00a0: depuis la derni\u00e8re fois, la musique s'est endurcie, Katerine Gierak a pris de l'assurance, elle arrive m\u00eame \u00e0 accorder sa guitare super-vite, maintenant, en plus elle a \u00e9crit un chouette hymne \u00e0 la gloire de tous les roadies testeurs-de-micro du monde, une litanie de \u00ab\u00a01, 2, 3\u00a0\u00bb dans tout\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200701261.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200701261.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200701261.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200701261.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":906,"url":"https:\/\/www.wallendorff.com\/belogue\/2007\/03\/02\/the-black-keys-la-cigale-paris\/","url_meta":{"origin":1170,"position":1},"title":"The Black Keys @ la Cigale, Paris.","author":"dpc","date":"2 mars 2007","format":false,"excerpt":"Bi\u00e8res perdues, cheveux gras \u00e0 perte de vue. Au milieu le duo d'Akron, Ohio, sorte de White Stripes en moins bicolore et moins mammaire. Pendant une heure, Auerbach et Carney d\u00e9roulent un blues bien bien roots qui suinte bon le garage \u2015\u00a0enfin plut\u00f4t l'usine \u00e0 pneus d\u00e9saffect\u00e9e, pour \u00eatre pr\u00e9cis,\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200703021.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200703021.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200703021.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200703021.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23832,"url":"https:\/\/www.wallendorff.com\/belogue\/2015\/02\/02\/mademoiselle-k-la-cigale-paris-26-janvier\/","url_meta":{"origin":1170,"position":2},"title":"Mademoiselle K @ la Cigale, Paris, 26 janvier.","author":"dpc","date":"2 f\u00e9vrier 2015","format":false,"excerpt":"6 ans apr\u00e8s la derni\u00e8re fois et 8 ans \u2015\u00a0presque\u00a0\u2015 jour pour jour apr\u00e8s la premi\u00e8re Cigale. On se recroise, on se reconna\u00eet, on se retrouve, on s'y remet. C'est comme le v\u00e9lo, \u00e7a revient tout de suite. \u00c7a revient de loin, mais \u00e7a revient tout de suite. R U\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201502021.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201502021.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201502021.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201502021.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8994,"url":"https:\/\/www.wallendorff.com\/belogue\/2010\/09\/14\/klaxons-baby-monster-la-cigale-paris\/","url_meta":{"origin":1170,"position":3},"title":"Klaxons + Baby Monster @ la Cigale, Paris.","author":"dpc","date":"14 septembre 2010","format":false,"excerpt":"Y a pas \u00e0 dire ils tabassent tout. La suite des photos est en bas de la note, juste apr\u00e8s notre Lucas le Roadie sympa s'est par inadvertance v\u00eatu d'un ticheurte trop court\u00a0! Quelques minutes avant l'entr\u00e9e en sc\u00e8ne de Klaxons, se baissant pour cacher un c\u00e2ble de l'ampli de\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009141.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009141.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009141.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/201009141.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1113,"url":"https:\/\/www.wallendorff.com\/belogue\/2007\/12\/20\/bb-brunes-la-cigale-paris\/","url_meta":{"origin":1170,"position":4},"title":"BB Brunes @ la Cigale, Paris.","author":"dpc","date":"20 d\u00e9cembre 2007","format":false,"excerpt":"Je n'arr\u00eate pas de me demander pourquoi, sur cette photo, UN SEUL bonhomme ne bouge absolument pas, et je me dis que \u00e7a ferait un chouette sujet de r\u00e9daction pour les vacances de No\u00ebl. Mais \u00e0 part \u00e7a, rien. \u00a0The Libertines \u2013 Don't Look Back into the Sun","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200712201.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200712201.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200712201.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200712201.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20256,"url":"https:\/\/www.wallendorff.com\/belogue\/2006\/03\/07\/placebo-la-cigale-paris\/","url_meta":{"origin":1170,"position":5},"title":"Placebo @ la Cigale, Paris.","author":"dpc","date":"7 mars 2006","format":false,"excerpt":"Meds | Infra-red | Drag | Space Monkey | Because I Want You | Follow the Cops Back Home | Black-Eyed | Post Blue | Song to Say Goodbye | Blind | One of a Kind | 36 Degrees | The Bitter End | Twenty Years || Running Up That\u2026","rel":"","context":"Dans &quot;Alive&quot;","block_context":{"text":"Alive","link":"https:\/\/www.wallendorff.com\/belogue\/category\/alive\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.wallendorff.com\/belogue\/wp-content\/uploads\/2015\/04\/200605053.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/1170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/comments?post=1170"}],"version-history":[{"count":4,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/1170\/revisions"}],"predecessor-version":[{"id":20337,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/posts\/1170\/revisions\/20337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media\/25095"}],"wp:attachment":[{"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/media?parent=1170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/categories?post=1170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.wallendorff.com\/belogue\/wp-json\/wp\/v2\/tags?post=1170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}